走向当代形态的彝族散文创作

当代彝族散文整体上具有写实倾向,产生了一批富于表现力、充满激情与力度的杰作;同时,拘泥于生活现实对艺术表现的自由也有所限制,文学观略显单一。以写实为基点,一些当代彝族作家逐渐走向“文化大散文”,深掘少数民族审美特质,贡献出许多新的文学意象。因此,突破单一化的文学观、走向更加自觉的文体探索、开掘民族审美文化的新内涵,产生自己的文体家,是彝族散文走向当代形态的重要环节。只有获得文体的自由与自在,当代彝族散文才能够超越民族风情之展现,对自身民族深厚的审美意识有一种新的认知,进而为中国文学艺术做出不可替代的贡献。     

评《傲慢与偏见》

《傲慢与偏见》是简．奥斯丁最受欢迎的小说。她以一种温和、幽默的方式表达了对爱情和婚姻的看法。在她的眼中经济状况、学识和得体的举止也是决定人们婚姻状况的重要因素。整部书充满了作者的智慧。她的风格也不可避免的受到当时文学思想潮流的影响。     

Science, truth and history, part II. Metaphysical bolt-holes for the Sociology of Scientific Knowledge?

Historians of science have frequently sought to exclude modern scientific knowledge from their narratives. Part I of this paper, published in the previous issue, cautioned against seeing more than a literary preference at work here. In particular, it was argued—contra advocates of the Sociology of Scientific Knowledge (SSK)—that a commitment to epistemological relativism should not be seen as having straightforward historiographical consequences. Part II considers further SSK-inspired attempts to entangle the currently fashionable historiography with particular positions in the philosophy of science. None, I argue, is promising. David Bloor’s proposed alliance with scientific realism relies upon a mistaken view of contrastive explanation; Andrew Pickering’s appeal to instrumentalism is persuasive for particle physics but much less so for science as a whole; and Bruno Latour’s home-grown metaphysics is so bizarre that its compatibility with SSK is, if anything, a further blow to the latter’s plausibility.     

虚拟场景中自然景物的真实感与实时性的研究

从真实感与实时性两个方面着手，深入研究了虚拟场景中云彩、树木等自然景物的建模及其生成算法。提出了一种基于迭代函数系统ＩＦＳ与颜色溶合的云彩模型及实时生成算法。还采用分枝与高度抽象外形的方法，对树木构造了模型，并提出了实时生成算法。目前，上述两种模型及其算法已采用ＶＣ＋＋语言与ＯｐｅｎＧＬ库函数编程，在Ｉｎｔｅｌ３００微机平台上得以实现，其实时性和真实感效果均较好。     

反抗危机者的史学价值与缺憾——对新时期新写实小说创作的认识

文章将新写实小说创作纳入20世纪中国文学的整体框架和现实主义发展的流变史中.进行某种程度的史学观照.提出其史学价值在于对革命现实主义的拆解,其缺憾是新写实摈弃悲剧情怀和批判意识.新写实文学只能是抗争革命现实主义文学存在的一种危机之后又跌入一种新的危机之中.     

String theory and general methodology: A mutual evaluation

String theory has been the dominating research field in theoretical physics during the last decades. Despite the considerable time elapse, no new testable predictions have been derived by string theorists and it is understandable that doubts have been voiced. Some people have argued that it is time to give up since testability is wanting. But the majority has not been convinced and they continue to believe that string theory is the right way to go. This situation is interesting for philosophy of science since it highlights several of our central issues. In this paper we will discuss string theory from a number of different perspectives in general methodology. We will also relate the realism/antirealism debate to the current status of string theory. Our goal is two-fold; both to take a look at string theory from philosophical perspectives and to use string theory as a test case for some philosophical issues.     

认真对待“现象”——意识科学中的“纯粹经验”及其哲学意义

在认知科学中,"现象"一词指人类在感知外部事物或内在状态时,于意识中直接呈现的纯粹经验。受到一种可以称之为"概念全能主义"的观念影响,当代哲学和认知科学普遍坚持,现象的存在必须依赖其他更重要的认知能力,也即注意力或概念能力,纯粹现象因而遭到否定。然而通过对"斯佩林-兰德曼实验"的数据与结果进行分析权衡,可以在经验科学的意义上证明纯粹现象的存在,进而揭露概念全能主义的谬误。纯粹现象及其证明过程揭示出:处在人类认知界限之外的经验与世界是不能被摒弃和偷换的,它们是实在论链条的必要环节,并且能够在经验科学中得到认真的研究和对待。     

Reconsidering the Fresnel–Maxwell theory shift: how the realist can have her cake and EAT it too

This paper takes another look at a case study which has featured prominently in a variety of arguments for rival realist positions. After critically reviewing the previous commentaries of the theory shift that took place in the transition from Fresnel’s ether to Maxwell’s electromagnetic theory of optics, it will defend a slightly different reading of this historical case study. Central to this task is the notion of explanatory approximate truth, a concept which must be carefully analysed to begin with. With this notion properly understood, it will be finally argued, the popular Fresnel–Maxwell case study points towards a novel formulation of scientific realism.     

惊世骇俗的反抗者--从古希腊三大悲剧的比较中看《美狄亚》的创作思想

古希腊悲剧作为人类较早时期的艺术，在诸多方面尚未完全摆脱神话故事产生的影响，因此，古希腊悲剧在创作中具有一种神话色彩。本文从这一角度出发，力求通过三大悲剧的比较，深入阐释《美狄亚》所独具的创作思想，从而揭示出《美狄亚》在理论思想方面的价值。     

加洛蒂文艺观对苏联文学的影响

1963年,法国著名理论家和文艺批评家罗杰·加洛蒂出版了《论无边的现实主义》一书,引起了强烈的反响。1965年以苏奇科夫为代表的苏联文艺界,与加洛蒂展开了长期的论争,影响深远。在这一次论争中,不仅加洛蒂本人的现实主义观得以成熟,而且更为有趣的现象是,70年代苏联文艺界提出“开放体系”,一反以前强烈的反对立场,这在一定程度上说明加洛蒂文艺观对苏联文学产生了影响。