"藏汇于国"到"藏汇于民"的外汇投资渠道探讨

为了更好地落实藏汇于民,必须拓展外汇投资渠道,使藏汇于民成为可能。文章主要探讨当前可能的主要外汇投资渠道,并就在外汇投资活动中需要注意的事项给予说明。     

理想非线性单组分色谱模型理论解与实验的比较

用气相色谱的分析方法研究了理想非线性单组分不同温度下的流出曲线，用＂特征点＂法回归出了各组分的物理常数Ｇ和ｂ，代入理论模型公式，并与实验结果进行子比较。     

多功能剧场建筑设计与可调混响时间的应用

本文以一座大型厂矿文化宫建筑设计实例,扼要论述了多功能厅堂的设计要点,结合我国目前多功能厅堂使用状况,提出以电声为主的设计原则和实施办法,以改善多功能厅堂的音质效果。     

论企业技术创新的评价

讨论了企业技术创新的评价方法，引入事实评价与价值评价标准，对企业技术创新进行技术评价和社会评价。认为只有当企业技术创新的技术评价和社会评价均为可行时，技术创新方案才原则上可以采用。     

非马尔科夫多值噪声驱动下系统的平均第一通过时间

本文把Weiss等发展的计算平均第一通过时间(简称MFPT)的新方法推广到由非马尔科夫多值噪声驱动的过程.为了简化,本文只限于研究矩形分布这一情形.通过一个重要实例,对MFPT进行了具体计算,并得到了显式解析表示.     

化工传热过程计算方法的分析

通过分析比较化工传热过程计算中的平均温度差法(MTD法)和传热单元数法(NTU法),找出了它们之间的内在联系,结合这两种方法的优点,组合成了一种新的计算方法,应用于化工传热过程的计算,可使计算过程大为简便,同时又可评价换热设备流动型式的合理性。     

The Frontier Movement and The American Values and Beliefs

This paper briefly accounts the background of American values and beliefs. It analyses the essence of the American ideals and points out that the American values are exaggerated and glamorized by the American upper class. They are in a sense, a dose of anaesthetic and a kind of hypocrisy.     

The Response of Debris-Flow Events to Solar Proton Flares （Ⅰ）

By analyzing the observation data from Dongchuan Debris Flow Observation and Research Station and historical data from year 1965 to 1990 gotten from National Astronomical Ob-servatories/Yunnan Observatory,the responding of debris flow in Jiangjia Ravine to Solar Proton Flare is studied. The following conclusion can be drawn. Solar Proton Flare,as one of most im-portant astronomical factors,affects the activity of debris flow in Yunnan. Generally,from 1965 to1990,the more active Solar Pro-ton Flare is,the greater the probability of high frequency and large runoff of debris flow is. On the contrary,the less active Solar Pro-ton Flare is,the greater the probability of low frequency,small runoff,and low sediment transport of debris flow is.     

Picturing the moon: Hevelius’s and Riccioli’s visual debate

This article investigates the maps of the moon produced in the mid-seventeenth century by Jesuit Giambattista Riccioli (1598-1671) and Johannes Hevelius (1611-1687), whose cartographic projects competed for widespread acceptance. Although Hevelius’s Selenographia (1647) was applauded for its many detailed, self-engraved pictures of the moon, his cartography and proposed nomenclature were supplanted by Riccioli’s as offered in Almagestum novum (1651), in spite of the latter’s simplistic pictures and promotion of geocentric cosmology. Exploring this paradox through pictorial analysis, three types of images common to both Selenographia and Almagestum novum are compared, employing an analytical tool developed by Svetlana Alpers in The art of describing (1983). A focus on this debate exposes the tensions evoked by new technologies of vision and competing cultures of visual epistemology in seventeenth-century astronomy. As both selenographers grappled with questions about the role of representation and what kinds of knowledge could be generated visually, the successes and failures of their competing projects present implications for the course of visual astronomy, as well as for our understanding of the use of ‘visual technologies’ in a period of controversy.     

福克纳小说叙事的时空观及其意义

福克纳小说表现出一种特有的时空观,这种时空观既构成了其小说特殊的结构形式,成为一种创作技巧;同时又是其小说创作内容和题材的形象化和具体化,是作家创作中的自觉的精神追求,是作家始终如一的表现人类追逐时间,占有时间的人道主义思想的独特展现.它从历史观和人生观的角度体现着福克纳以文学的方式对人类生命整体意义的特殊关注.