大学生游客环境意识与旅游行为相关性研究

近年来,不文明旅游行为已引起社会各界的关注,提高游客的环境意识是解决问题的方法之一。文章采用美国学者Dunlap的“新生态范式”量表,在大学生群体中调查环境意识与不文明旅游行为,分析环境意识与旅游行为之间的关系。结果显示：在大学生游客群体中,环境意识得分与旅游行为得分呈显著正相关,而环境意识得分和旅游行为得分与旅游次数无显著相关,部分旅游行为与环境意识量表的部分选项间存在显著正相关。     

技术范式转变时期知识的动态演化进程

基于对现有知识管理模型的分析研究,提出了技术范式转变时期以扬弃知识为主导的知识演化模型,并结合知识在组织不同层面、不同环节的功能与作用,对扬弃知识的内容及扬弃知识的方式做了具体描述。     

袁隆平杂交水稻育种栽培思想方法范式系统研究——再论自主创新的法宝

范式是科学活动革命性的探索计划和解决难题的范例。袁隆平创立的杂交水稻育种栽培思想方法具有范式的品质。本文,运用辩证系统思想方法,系统地研究了袁隆平遵循现代基因育种规律进行杂交水稻育种栽培的科学历程,揭示出＂思想方法＂与＂科学飞跃＂之间的真谛,特别是揭示出从源头上创新杂交水稻育种栽培思想方法,与引领杂交水稻育种栽培理论和实践飞跃、掀起了世界第二次绿色革命的思想方法范式系统真谛。由此,提出＂杂交水稻育种栽培思想方法范式系统＂新概念,并着力建构杂交水稻育种栽培思想方法范式系统,即杂交水稻育种栽培的观念技术创新思想方法、形式技术创新思想方法、形象技术创新思想方法、中试技术创新思想方法和实践技术创新思想方法的范式系统。这一范式系统理论,不仅丰富了从理论到实践飞跃的思想方法范式宝库,而且是一个引领技术自主创新的理论。     

化学经济学范式的建构

在由量子力学统辖的世界里,时空扭成新的拓扑结构,引致许多单一学科无法解决的多维交叉性问题。但由于化学经济在理论和实践上的残缺,表征为在学科链上物理经济学、神经经济学以及行为经济学的相继建立,并取得巨大成功。而这种残缺,又在某种程度上阻碍上述交叉性学科的进一步推进,同时也制约着经济问题的解决。总之,在当今实践、理论以及数哲的推动下,引出对化学经济范式建构的必然性,故为下一步化学经济发展方向定调,为进一步促进化学经济的成长,行文建构了从化学出发、从经济出发两种化学经济学研究范式。     

Thought styles and paradigms: A comparative study of Ludwik Fleck and Thomas S. Kuhn

At first glance there seem to be many similarities between Thomas S. Kuhn’s and Ludwik Fleck’s accounts of the development of scientific knowledge. Notably, both pay attention to the role played by the scientific community in the development of scientific knowledge. But putting first impressions aside, one can criticise some philosophers for being too hasty in their attempt to find supposed similarities in the works of the two men. Having acknowledged that Fleck anticipated some of Kuhn’s later theses, there seems to be a temptation in more recent research to equate both theories in important respects. Because of this approach, one has to deal with the problem of comparing the most notable technical terms of both philosophers, namely “thought style” and “paradigm”.This paper aims at a more thorough comparison between Ludwik Fleck’s concept of thought style and Thomas Kuhn’s concept of paradigm. Although some philosophers suggest that these two concepts are essentially equal in content, a closer examination reveals that this is not the case. This thesis of inequality will be defended in detail, also taking into account some of the alleged similarities which may be responsible for losing sight of the differences between these theories.     

Thought styles and paradigms—a comparative study of Ludwik Fleck and Thomas S. Kuhn

At first glance there seem to be many similarities between Thomas S. Kuhn’s and Ludwik Fleck’s accounts of the development of scientific knowledge. Notably, both pay attention to the role played by the scientific community in the development of scientific knowledge. But putting first impressions aside, one can criticise some philosophers for being too hasty in their attempt to find supposed similarities in the works of the two men. Having acknowledged that Fleck anticipated some of Kuhn’s later theses, there seems to be a temptation in more recent research to equate both theories in important respects. Because of this approach, one has to deal with the problem of comparing the most notable technical terms of both philosophers, namely “thought style” and “paradigm”.This paper aims at a more thorough comparison between Ludwik Fleck’s concept of thought style and Thomas Kuhn’s concept of paradigm. Although some philosophers suggest that these two concepts are essentially equal in content, a closer examination reveals that this is not the case. This thesis of inequality will be defended in detail, also taking into account some of the alleged similarities which may be responsible for losing sight of the differences between these theories.     

库恩后期哲学中抛弃了“范式”吗

20世纪80年代库恩哲学中原本的核心概念“范式”消失了。这似乎成为库恩哲学转向的标志,甚至成为历史主义科学哲学转向的标志。事实上“范式”观念以“类词”的名称依然存在于库恩哲学中,我们完全可以追溯这一演变的历程,从而揭示演变发生的原因。     

广义信息序量范式建构初步

广义信息的序量符号范式将潜在信息、无序的物质能量、显在信息符号表示为：0（1,0）、0（0,1）、1（1,1）,并作为符号范式体系的初始框架。序量是信息实际表现的有序度,各种信息系统序量的定义,是建构广义信息符号范式体系的重要步骤。普遍的序量范式,将多倍、多层次系统的序量表达为基层、基本系统序量的一定运算结果。以序量范式表述广义信息相互作用规律,具有凸现本质的优点。     

《诗经》的艺术范型

《诗经》的艺术范型,是《诗经》艺术手法的基元,是一个相对稳定的艺术符号系统,是先民在充满矛盾的人生中开放出来的心灵之花,是他们心灵世界的自觉表达,承载着民族的情感、精神、气质、心理等内在的东西。本文阐述《诗经》4类13种艺术范型以及对后代文学创作产生的深远影响,以期对诗词艺术手法和内部结构,对民族心灵发展史以及《诗经》的美感效应有更深刻的认识。     

论阿多诺音乐美学思想的三个维度

阿多诺的音乐美学思想是其美学思想的重要组成部分。它有三个重要维度：对否定辩证的音乐美学追求、对艺术审美范式的重新阐释以及对社会个体的人文关怀。