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921.
合成了一个新的配合物[Mg(H2O)6](p-OPA)2.2H2O(p-OPA-=4-氧-1(4H)-吡啶乙酸根),并对其进行了元素分析和单晶X射线的表征。配合物晶体属单斜晶系,空间群为P 21/c,晶胞参数为a=1.2561(3)nm,b=1.2947(3)nm,c=0.67885(14)nm,β=99.32(3)°,V=1.0895(4)nm3,Z=2,Mr=472.69,Dc=1.441g/cm3,μ=0.154mm-1,F(000)=500,最终R=0.0525,wR=0.1398。Mg(Ⅱ)原子与六个水分子配位形成八面体构型,4-氧-1(4H)-吡啶乙酸根作为抗衡离子,配阳离子与阴离子之间通过静电吸引和氢键作用形成了三维氢键超分子网络结构。  相似文献   
922.
提出了一种基于贝叶斯公式的信息反馈模型BIF.当系统拒绝用户对资源的访问时,BIF通过计算在当前的条件下改变某些访问条件的可能性,把用户的访问条件的替代方案限制到一个小而有用的集合,系统将具有最大可能性的选项反馈给用户.用户根据系统的反馈改变访问条件从而成功访问资源.BIF引入附加策略来保护敏感策略,在此过程中不会泄漏任何危及到系统安全和机密性的信息.实验证明,BIF模型在保护了系统敏感信息的同时,也提高了系统的可用性及访问成功的几率.  相似文献   
923.
对消失模铸造AZ91镁合金的表面成分进行了测定和分析,研究表明,在消失模铸造镁合金表面形成了复杂的MgO-Al2O3-SiO2-无定型C粒子等组成的薄膜.由于该薄膜的存在,铸件的耐腐蚀能力与普通重力铸造或其他铸造方法得到的镁合金铸件相比有较大提高.同时对消失模铸造镁合金的力学性能的变化进行了研究,发现消失模铸造条件下的AZ91镁合金拉伸性能比金属型、石墨型铸造的低,比树脂砂型的略高.并通过进行热处理强化,消失模铸造镁合金的抗拉强度、硬度和延伸率大大提高,其中高温时效对于提高合金的屈服强度、抗拉强度及加工硬化率非常有效.  相似文献   
924.
湍流多尺度相干结构间歇性的PIV实验研究   总被引:1,自引:0,他引:1  
利用粒子成像测速(PIV)系统测量了湍流边界层中流向速度平面,并对湍流多尺度相干结构统计特性进行了实验研究.利用连续子波变换,计算了不同尺度、不同法向位置的子波系数概率密度函数.结果发现缓冲区有着更强的间歇性.利用子波系数量化湍流间歇性的方法,应用推广的自相似律(ESS),计算了子波系数结构函数的标度指数.研究表明:当多尺度相干结构被提取出后,利用子波系数计算的ESS标度律就符合科尔莫戈罗夫提出的线性标度律,验证了多尺度相干结构是湍流边界层产生奇异标度律的原因.此外,利用PIV系统测量的数据,给出了流向平面内的以子波系数表达的能量分布.这种方法有利于进一步对多尺度相干结构在空间平面内的辨识与特性进行研究.  相似文献   
925.
采用水热法在200℃合成直径约为12 mm、长度达5μm、具有四方相钙钛矿结构的钛酸铅(PbTiO3)纳米线.X射线光子能谱(XPS)结果表明,PbTiO3纳米线的Ti 2p(3/2)结合能中心峰值大于PbTiO3陶瓷,导致Ti 2p自旋轨道分裂(Δ(2p(3/2)~2p(1/2)))增大.室温激光Raman光谱研究显示,PbTiO3纳米线的振动模具有红移和拉曼峰展宽现象,表明纳米线的声子寿命相对于块体材料有所减小.  相似文献   
926.
This paper discerns two types of mathematization, a foundational and an explorative one. The foundational perspective is well-established, but we argue that the explorative type is essential when approaching the problem of applicability and how it influences our conception of mathematics. The first part of the paper argues that a philosophical transformation made explorative mathematization possible. This transformation took place in early modernity when sense acquired partial independence from reference. The second part of the paper discusses a series of examples from the history of mathematics that highlight the complementary nature of the foundational and exploratory types of mathematization.  相似文献   
927.
Numerous studies in the fields of Science and Technology Studies (STS) and philosophy of technology have repeatedly stressed that scientific practices are collective practices that crucially depend on the presence of scientific technologies. Postphenomenology is one of the movements that aims to draw philosophical conclusions from these observations through an analysis of human–technology interactions in scientific practice. Two other attempts that try to integrate these insights into philosophy of science are Ronald Giere’s Scientific Perspectivism (2006) and Davis Baird’s Thing Knowledge (2004). In this paper, these two approaches will be critically discussed from the perspective of postphenomenology. We will argue that Giere and Baird problematically assume that scientific instruments (a) have a determined function, and (b) that all human members of a scientific collective have immediate access to this function. However, these assumptions also allow them to offer a clear answer to the question how scientists can collectively relate to scientific phenomena. Such an answer is not yet (explicitly) formulated within the postphenomenological perspective. By adding a postphenomenological touch to the semiotic approach in Actor-Network Theory, we offer an account of how different individual human–technology relations are integrated into larger scientific collectives. We do so by showing that scientific instruments not only help constitute scientific phenomena, but also the intersubjectivity within such collectives.  相似文献   
928.
Our interest focusses on the idea, that consciousness is a powerful acting entity. Up to now there does not exist a scientific concept for this idea. This is not due to problems within the field of psychology or brain research, but rather in resisting theories of modern physics. That is, why we have to search for a solution in the field of physics. A solution can be found in a new understanding of the basics of physical theory. That could be given by abstract and absolute quantum bits of information (AQI bits). To avoid the popular misunderstanding of “information” as “meaningful” it was necessary to find a new word for the free-of-meaning AQI bits: the AQI bits establish a quantum pre-structure termed “Protyposis” (Greek: “pre-formation”), out of which real objects can be formed, starting from energetical and material elementary particles. The Protyposis AQI bits provide a pre-structure for all entities in natural sciences. They are the basic entities, whereof the physical nature of the brain, on the one hand, and the mental nature of consciousness, on the other hand, were formed during the cosmological and the following biological evolution. A deeper understanding of quantum structures may help to overcome the resistance against quantum theory in the field of brain research and consciousness. The key for an understanding is the concept of Protyposis, which means an abstract quantum information free of any definite meaning. With the AQI bits of the Protyposis, both, massless and massive quantum particles can be constructed. Even quantum information with special meanings, in example grammatically formulated thoughts, eventually could be explained. As long as the fundamental basis of quantum theory is misunderstood as being formed by a manifold of some small objects like atoms, quarks, or strings, the problem of understanding consciousness has no solution. If instead we understand quantum theory as based on truly simple quantum structures, there would be no longer fundamental problems for an understanding of consciousness.  相似文献   
929.
In this article I take the US television series Mad Men (2007—present) as an exemplary ‘approximation’, a term I adopt to signal the way in which certain texts construct a changeable, fluid ‘truth’ resulting from collisions, exchange and dialectical argument. Approximations are layered, their formal layerings mirroring a layered, multifaceted argument. Mad Men integrates and represents real historical events within a fictional setting, and act that suggests that an event or action can never be finished, fixed and not open to reassessment. Specifically, this article examines ‘The Grown Ups’, Episode 12 of Season 3, which charts the events of 22 November 1963, the day Kennedy was assassinated. Although we might be able to bring to mind the images and conspiracy theories that have been made available since (such Abraham Zapruder’s 8 mm home movie footage of the assassination), these images were not available at the time. Mad Men as a series always strives to represent its historical milieu as authentically as possible, so the characters re-enact 22 November 1963 as authentically as possible by watching only what was on television that day (the news bulletin, Walter Kronkite’s announcement that Kennedy is dead). The contemporary backdrop to these events, including the resonances of ‘9/11’ through Mad Men, inform and collide with the authenticity on the screen.  相似文献   
930.
In this article we consider the growing interest in recent years in the use of documentary strategies in the wold of contemporary art, film and performing arts and explore some of the central epistemological assumptions underpinning the persistent idea that the documentary should be equated with ‘non-fiction’. Following Stella Bruzzi we argue that if documentary theory maintains objectivity as the primary measure of value, it will inevitably and continuously arrive at the conclusion that the documentary genre is fundamentally flawed. Instead, we propose to move beyond the ‘realist epistemology’ of documentary theory and focus on the ‘documentary real’, i.e. the specific performativity of the reality constructed in and by the documentary genre. In the last paragraphs, we introduce the various articles that address the “documentary real” in this special issue.  相似文献   
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