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1.
ABSTRACT

During the sixteenth and seventeenth centuries, the Inquisition was the institution most invested in the censorship of printed books in the Portuguese empire. Besides publishing the Indices of Forbidden Books, the Holy Office was also responsible for overseeing their implementation and ensuring their efficacy in preventing the importation, reading, and circulation of banned books. Overall, the sixteenth-century Indices condemned 785 authors and 1081 titles, including 52 authors and 85 titles of medicine, natural history, natural philosophy, astronomy, chronology, cosmography, astrology, and divinatory arts. By looking at the largest collection of early modern scientific books in Portugal, I will argue that a closer inspection of marginalia and ownership, and the establishment of a typology of expurgations is essential for the comprehension of the actual practices and the mechanisms of censorship. By examining the material evidence of censorship, in order to reconstruct expurgation practices, this paper reveals the processes and effectiveness of ecclesiastical control in the Portuguese Inquisition and highlights the differences between what inquisitors wrote in the Indices and what others put into practice.  相似文献   

2.
John Herschel (1792–1871) was the leading British natural philosopher of the nineteenth century, widely known and regarded for his work in philosophy, optics and chemistry as well as his important research and popular publications on astronomy. To date, however, there exists no extended treatment of his astronomical career. This paper, part of a larger study exploring Herschel's contributions to astronomy, examines his work in the context of positional astronomy, the dominant form of astronomical practice throughout his lifetime. Herschel, who did not himself practice positional astronomy and who was known for his non-meridional observations of specific stellar objects, was nonetheless a strong advocate for positional astronomy—but for very different reasons than the terrestrial applications to which it was most often put. For Herschel, the star catalogues of positional astronomy were the necessary observational foundation upon which information about the stars as physical objects could be constructed. Positional astronomy practiced in the great national observatories was not about navigation or timekeeping; it was a way to standardize stellar observations and make them useful data for constructing theories of the stars themselves. For Herschel, the seeds of the new astronomy emerged from the practices of the old.  相似文献   

3.
A letter in which astronomer John Flamsteed expounded his unusual views about the causes of earthquakes survives in a number of drafts and copies. Though it was compiled in response to shocks felt in England in 1692 and Sicily in 1693, its relationship to the wide range of comparable theories current in the later seventeenth century must be considered. Flamsteed's suggestion that an ‘earthquake’ might be an explosion in the air was linked with contemporary thinking about the roles of sulphur and nitre in earthquakes underground, and in combustion, respiration, and other processes. It reveals his concern with subjects other than astronomy and the influence of his continuing contact with members of the Royal Society; it also offers an early example of how seventeenth-century work on sulphur and nitre prepared the way for ‘airquake’ and electrical theories associated with the London earthquake of 1750.  相似文献   

4.
The metaphysical commitment to the circle as the essential element in the analysis of celestial motion has long been recognized as the hallmark of classical astronomy. What has not always been clear, however, is that the circle continued to serve Kepler as a central element in his astronomy after the discovery of the elliptical orbit of Mars. Moreover, the circle also functioned for Kepler in geometry to select the basic polygons, in music to select the basic harmonies, and in astrology to select the basic aspects. His basic set of polygons consisted of those figures that could be constructed using only a compass and a rule; the set of fundamental harmonies consisted of the consonances of the just intonation; and the traditional set of astrological aspects were enlarged by Kepler to include three new aspects in order to make the astrological set consistent with geometry and music. And as the circle served to unify these three areas, so also did it serve to supply the fundamental answers to astronomical problems well after the discovery of his new astronomy—a topic to be discussed in Part II of this paper.  相似文献   

5.
This study considers the contribution of Francesco Patrizi da Cherso (1529–1597) to the development of the concepts of void space and an infinite universe. Patrizi plays a greater role in the development of these concepts than any other single figure in the sixteenth century, and yet his work has been almost totally overlooked. I have outlined his views on space in terms of two major aspects of his philosophical attitude: on the one hand, he was a devoted Platonist and sought always to establish Platonism, albeit his own version of it, as the only currect philosophy; and on the other hand, he was more determinedly anti-Aristotelian than any other philosopher at that time. Patrizi's concept of space has its beginnings in Platonic notions, but is extended and refined in the light of a vigorous critique of Aristotle's position. Finally, I consider the influence of Patrizi's ideas in the seventeenth century, when various thinkers are seeking to overthrow the Aristotelian concept of place and the equivalence of dimensionality with corporeality. Pierre Gassendi (1592–1652), for example, needed a coherent concept of void space in which his atoms could move, while Henry More (1614–1687) sought to demonstrate the reality of incorporeal entities by reference to an incorporeal space. Both men could find the arguments they needed in Patrizi's comprehensive treatment of the subject.  相似文献   

6.
The enthusiasm of Renaissance humanists for classical learning greatly influenced the development of botany in the late fifteenth and sixteenth centuries. Humanist scholars restored the treatises of Theophrastus, Pliny, Galen and Dioscorides on botany and materia medica to general circulation and argued for their use as textbooks in Renaissance universities. Renaissance botanists' respect for classical precepts and models of the proper methods for studying plants temporarily discouraged the use of naturalistic botanical illustration, but encouraged other techniques for collecting and communicating new observations: herbaria, botanical gardens and field trips.  相似文献   

7.
A characteristic hallmark of medieval astronomy is the replacement of Ptolemy’s linear precession with so-called models of trepidation, which were deemed necessary to account for divergences between parameters and data transmitted by Ptolemy and those found by later astronomers. Trepidation is commonly thought to have dominated European astronomy from the twelfth century to the Copernican Revolution, meeting its demise only in the last quarter of the sixteenth century thanks to the observational work of Tycho Brahe. The present article seeks to challenge this picture by surveying the extent to which Latin astronomers of the late Middle Ages expressed criticisms of trepidation models or rejected their validity in favour of linear precession. It argues that a readiness to abandon trepidation was more widespread prior to Brahe than hitherto realized and that it frequently came as the result of empirical considerations. This critical attitude towards trepidation reached an early culmination point with the work of Agostino Ricci (De motu octavae spherae, 1513), who demonstrated the theory’s redundancy with a penetrating analysis of the role of observational error in Ptolemy’s Almagest.  相似文献   

8.
This paper explores the interactions between scientific travel, politics, instrument making and the epistemology of scientific instruments in Napoleon's Europe. In the early 1800s, the German astronomer Franz Xaver von Zach toured Italy and Southern France with instruments made by G. Reichenbach in his newly-established Bavarian workshop. I argue that von Zach acted as a broker for German technology and science and that travel, personal contacts and direct demonstrations were crucial in establishing Reichenbach's reputation and in conquering new markets. The rise of German instrument making highlights the complexity of the scientific relationship between the centre and the peripheries in Napoleon's empire, and reveals the existence of diverging views on the role of instruments and of their makers. In von Zach's view, Reichenbach's instruments could not penetrate the French market because Parisian astronomers focused on mathematical astronomy and, for both political and epistemological reasons, dismissed instruments and material innovations from the peripheries. The German astronomer and his Italian colleagues, on the contrary, regarded Reichenbach's technical achievements as outstanding contributions to astronomy, and considered the political and cultural hegemony of the capital as a hindrance to the advancement of science.  相似文献   

9.
The purpose of this article is to analyse the mathematical practices leading to Rafael Bombelli’s L’algebra (1572). The context for the analysis is the Italian algebra practiced by abbacus masters and Renaissance mathematicians of the fourteenth to sixteenth centuries. We will focus here on the semiotic aspects of algebraic practices and on the organisation of knowledge. Our purpose is to show how symbols that stand for underdetermined meanings combine with shifting principles of organisation to change the character of algebra.  相似文献   

10.
I explore how the nature, scope, and limits of the knowledge obtained in orbital dynamics has changed in recent years. Innovations in the design of spacecraft trajectories, as well as in astronomy, have led to new logics of theory-testing—that is, new research methodologies—in orbital dynamics. These methodologies—which combine resonance overlap theories, numerical experiments, and the implementation of space missions—were developed in response to the discovery of chaotic dynamical systems in our solar system. In the past few decades, they have replaced the methodology that dominated orbital research in the centuries following Newton's Principia. As a result, the kind of knowledge achieved by orbital research has changed: we can know how orbiting bodies in chaotic systems behave, but only over sufficiently short time scales; and we can reliably measure those temporal limitations, using Lyapunov time.  相似文献   

11.
12.
Two works on hydrostatics, by Simon Stevin in 1586 and by Blaise Pascal in 1654, are analysed and compared. The contrast between the two serves to highlight aspects of the qualitative novelty involved in changes within science in the first half of the seventeenth century. Stevin attempted to derive his theory from unproblematic postulates drawn from common sense but failed to achieve his goal insofar as he needed to incorporate assumptions involved in his engineering practice but not sanctioned by his postulates. Pascal's theory went beyond common sense by introducing a novel concept, pressure. Theoretical reflection on novel experiments was involved in the construction of the new concept and experiment also provided important evidence for the theory that deployed it. The new experimental reasoning was qualitatively different from the Euclidean style of reasoning adopted by Stevin. The fact that a conceptualization of a technical sense of pressure adequate for hydrostatics was far from obvious is evident from the work of those, such as Galileo and Descartes, who did not make significant moves in that direction.  相似文献   

13.
Mid twentieth century meteor astronomy demanded the long-term compilation of observations made by numerous individuals over an extensive geographical area. Such a massive undertaking obviously required the participation of more than just professional astronomers, who often sought to expand their ranks through the use of amateurs that had a basic grasp of astronomy as well as the night sky, and were thus capable of generating first-rate astronomical reports.

When, in the 1920s, renowned Swedish astronomer Knut Lundmark turned his attention to meteor astronomy, he was unable to rely even upon this solution. In contrast to many other countries at the time, Sweden lacked an organized amateur astronomy and thus contained only a handful of competent amateurs. Given this situation, Lundmark had to develop ways of engaging the general public in assisting his efforts. To his advantage, he was already a well-established public figure who had published numerous popular science articles and held talks from time to time on the radio. During the 1930s, this prominence greatly facilitated his launching of a crowdsourcing initiative for the gathering of meteor observations.

This paper consists of a detailed discussion concerning the means by which Lundmark's initiative disseminated astronomical knowledge to the general public and encouraged a response that might directly contribute to the advancement of science. More precisely, the article explores the manner in which he approached the Swedish public, the degree to which that public responded and the extent to which his efforts were successful. The primary aim of this exercise is to show that the apparently recent Internet phenomenon of ‘crowdsourcing’, especially as it relates to scientific research, actually has a pre-Internet history that is worth studying. Apart from the fact that this history is interesting in its own right, knowing it can provide us with a fresh vantage point from which to better comprehend and appreciate the success of present-day crowdsourcing projects.  相似文献   


14.
15.
Early observations of the southern celestial sky were reported in many sixteenth-century books and compilations of voyages of discovery. Here we analyse these accounts in order to find out what was really seen and reported by the first navigators. Our analysis had resulted in new interpretations of the phenomena reported by Amerigo Vespucci and Andreas Corsali. Thus, a reassessment of the discovery of the Coalsack Nebula, the Magellanic Clouds, and the Southern Cross can be made. From a comparative review of the observations of the latter constellation as published between 1500 and 1600, we demonstrate that only questionable records found their way to contemporary compilations of voyages of discovery, and that as a result public knowledge about this constellation at the end of the sixteenth century was entirely unreliable. Another problem we discuss is that although the stars of the Southern Cross were the first to be discovered, and were observed again and again by many navigators, it was not until 1678 that their proper positions were found in stellar atlases and star catalogues accessible to astronomers. We explain how negligence of and subsequently confidence in Ptolemy's astronomy by, respectively, the early navigators and cartographers, were at the root of this amazingly long-lasting gap in the knowledge of the southern celestial sky.  相似文献   

16.
Galileo and Descartes were on the front lines of the defense of Copernicanism against theological objections that took on special importance during the seventeenth century. Galileo attempted to overcome opposition to Copernicanism within the Catholic Church by offering a demonstration of this theory that appeals to the fact that the double motion of the earth is necessary as a cause of the tides. It turns out, however, that the details of Galileo's tidal theory compromise his demonstration. Far from attempting to provide a demonstration of the earth's motion, Descartes ultimately argued that his system is compatible with the determination of the Church that the earth is at rest. Nonetheless, Descartes's account of the cause of the tides creates difficulty for this argument.  相似文献   

17.
The word “atmosphere” was a neologism Willebrord Snellius created for his Latin translation of Simon Stevin's cosmographical writings. Astronomers and mathematical practitioners, such as Snellius and Christoph Scheiner, applying the techniques of Ibn Mu‘ādh and Witelo, were the first to use the term in their calculations of the height of vapors that cause twilight. Their understandings of the atmosphere diverged from Aristotelian divisions of the aerial region. From the early years of the seventeenth century, the term was often associated with atomism or corpuscular matter theory. The concept of the atmosphere changed dramatically with the advent of pneumatic experiments in the middle of the seventeenth century. Pierre Gassendi, Walter Charleton, and Robert Boyle transformed the atmosphere of the mathematicians giving it the characteristics of weight, specific gravity, and fluidity, while disputes about its extent and border remained unresolved.  相似文献   

18.
This paper employs the revised conception of Leibniz emerging from recent research to reassess critically the ‘radical spiritual revolution’ which, according to Alexandre Koyré’s landmark book, From the closed world to the infinite universe (1957) was precipitated in the seventeenth century by the revolutions in physics, astronomy, and cosmology. While conceding that the cosmological revolution necessitated a reassessment of the place of value-concepts within cosmology, it argues that this reassessment did not entail a spiritual revolution of the kind assumed by Koyré, in which ‘value-concepts, such as perfection, harmony, meaning and aim’ were shed from the conception of the structure of the universe altogether. On the contrary, thanks to his pioneering intuition of the distinction between physical and metaphysical levels of explanation, Leibniz saw with great clarity that a scientific explanation of the universe which rejected the ‘closed world’ typical of Aristotelian cosmology did not necessarily require the abandonment of key metaphysical doctrines underlying the Aristotelian conception of the universe. Indeed the canon of value-concepts mentioned by Koyré—meaning, aim, perfection and harmony—reads like a list of the most important concepts underlying the Leibnizian conception of the metaphysical structure of the universe. Moreover, Leibniz’s universe, far from being a universe without God—because, as Clarke insinuated, it does not need intervention from God—is a universe which in its deepest ontological fabric is interwoven with the presence of God.  相似文献   

19.
ABSTRACT

During the late Ming and early Qing period, Jesuit missionaries introduced European science into China, and thereby profoundly influenced the later development of Chinese astronomy. Not only did European astronomy become the official system of the Qing dynasty, but the traditional way to ‘attain up above’ by connecting the study of astronomy and Yi learning gradually fell into disuse. However, the astronomers in this period expressed different views on these two processes. As one of the most important early Qing astronomers, Xue Fengzuo’s case presents a distinctive and important example. Firstly, under the influences of both Chinese tradition and European science, Xue Fengzuo rebuilt the way to ‘attain up above’ based on his three-fold ‘calendrical learning’, i.e. calendrical astronomy, astrology and related pragmatic applications, through which he could realize the highest Confucian ideal. Secondly, he integrated Chinese and Western knowledge for all three aspects of his ‘calendrical learning’, instead of ceding the dominant position to Western methods. From Xue Fengzuo’s example, many of the complex effects of the encounter between different cultures and the process of knowledge transfer can be revealed.  相似文献   

20.
This article investigates the maps of the moon produced in the mid-seventeenth century by Jesuit Giambattista Riccioli (1598-1671) and Johannes Hevelius (1611-1687), whose cartographic projects competed for widespread acceptance. Although Hevelius’s Selenographia (1647) was applauded for its many detailed, self-engraved pictures of the moon, his cartography and proposed nomenclature were supplanted by Riccioli’s as offered in Almagestum novum (1651), in spite of the latter’s simplistic pictures and promotion of geocentric cosmology. Exploring this paradox through pictorial analysis, three types of images common to both Selenographia and Almagestum novum are compared, employing an analytical tool developed by Svetlana Alpers in The art of describing (1983). A focus on this debate exposes the tensions evoked by new technologies of vision and competing cultures of visual epistemology in seventeenth-century astronomy. As both selenographers grappled with questions about the role of representation and what kinds of knowledge could be generated visually, the successes and failures of their competing projects present implications for the course of visual astronomy, as well as for our understanding of the use of ‘visual technologies’ in a period of controversy.  相似文献   

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