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1.
In this brief response to Mark Coeckelbergh’s contribution, I demonstrate how the author introduces an important shift in the way we approach technology. Instead of focusing on the new and often-times dramatic existential vulnerabilities supposedly introduced by technological innovation, Coeckelbergh targets the way technology already transforms our existential vulnerabilities. And I show how this shift in focus has three very important consequences: (1) a different way to ask about and investigate the question concerning technology, (2) the importance of hacking as a mode of responding to this question and (3) the significance of questioning as a philosophical project.  相似文献   

2.
According to Wolf’s fitting fulfillment view, meaningfulness depends on the person’s subjective attraction to an activity being grounded in ‘reasons of love’ that concern the objective value of those activities. In this short comment, I argue that ‘reasons of love’—and thus reasons for regarding as meaningful—are not limited to those having to do with the objective value of activities and relationships, but include also what I call ‘reasons for the initiated’ and ‘reasons for me’.  相似文献   

3.
In their respective commentaries to my article “Postphenomenology and the Politics of Sustainable Technology” both Robert Scharff and Michel Puech take issue with my postphenomenological inroad into the politics of technology. In a first step I try to accommodate the suggestions and objections raised by Scharff by making my account of the political more explicit. Consequently, I argue how an antagonistic relational conceptualisation of the political allows me to address head on Puech’s plea to leave politics behind and move towards an ethically informed, post-political approach to sustainability. “But perhaps the question philosophy is confronted with—through the question of the political—might be whether not all reasoning, including a purely theoretical reasoning, can truly only be a political reasoning, resulting in an inevitable, indeed necessary circular structure” (Boehm 2002; author’s translation). In a footnote to my original article ‘Postphenomenology and the Politics of Sustainable Technology’, I wrote that “for the purpose of this paper, it suffices to say that I use the adjective ‘political’ to indicate all aspects of human and non-human agency that are related to ‘shaping the good life’ (Goeminne 2011a).” With hindsight, brought about by the commentaries of Scharff (2011) and Puech (2011), I now see that I could not have been more optimistic. Or should I say naïve? Indeed, although coming from different angles and resulting in very different suggestions, both commentaries precisely target my postphenomenological inroad into the ‘politics’ of technology. In challenging my grounding of the politics of technology in a postphenomenological perspective, Scharff in particular invites me to make my notion of the political more explicit. In what follows, I will therefore first elaborate my take on the political dimension of technology in dialogue with Scharff’s comments and suggestions. Armed with this deepened concept of the political, I will then address Puech’s plea to leave politics behind and move towards an ethically informed, post-political approach to sustainability. Evidently, within the limits of this piece, I can only indicate the broader direction my conceptualisation of the political takes. It suffices perhaps to say that, partly induced by the commentaries of Scharff and Puech, the question of the political has meanwhile taken a much more prominent place in my research as can be seen from a few recent publications [e.g. Goeminne (2012) and Goeminne (forthcoming)]. In saying this, I am also expressing my indebtedness to the commentators for nudging me in this political direction.  相似文献   

4.
The question of Heidegger’s reflections on technology is explored in terms of ‘living with’ technology and including the socio-theoretical (Edinburgh) notion of ‘entanglement’ towards a review of Heidegger’s understanding of technology and media, including the entertainment industry and modern digital life. I explore Heidegger’s reflections on Gelassenheit by way of the Japanese aesthetic conception of life and of art as wabi-sabi understood with respect to Heidegger’s Gelassenheit as the art of Verfallenheit.  相似文献   

5.
I would like to thank Prof. Stephen Read (2011) and Prof. Andrew Benjamin (2011) for both giving inspiring and elaborate comments on my article “Dwelling in-between walls: the architectural surround”. As I will try to demonstrate below, their two different responses not only supplement my article very nicely, but also augment each other’s. In the beginning of Read’s comment, as he sets the stage for his observations, he unknowingly also points in the direction of Benjamin’s remarks: “I propose not to de-construct therefore, or add a point of view from an orthogonal position, but to try in the spirit of multidisciplinarity to talk in languages not well practiced—to begin to build what Bowker and Star call ‘boundary objects’ between different starting positions; points we can gather around to think further together” (Read 2011). Whereas Read facilitates a multidisciplinary dialogue, Benjamin focuses on how the absence of an initial distinction might threaten the endeavour of my paper. In my reply to Read and Benjamin, I will discuss their suggestions and arguments, while at the same time hopefully clarifying the postphenomenological approach to architecture.  相似文献   

6.
As an art theoretician, and as a father, I focus on the social and political consequences of Vanderbeeken’s postmodernist negative theology. I express doubts about the relevance of a poetics of catastrophe that conflates any possible alternative to the alleged technocracy under the sign of the simulacrum. To my opinion, the discourse about the virtual and the real are in a deadlock. Following the lead of American novelist Thomas Pynchon, I rephrase these critical doubts in Luddite terms: should we imagine a counterattack as radical as the alleged dystopian nightmare dreamed up and sketched out by Vanderbeeken? I try to show that this line of thinking risks to result in a bold and speculative logic where ethical nuance collapses and, ultimately, the relationship between art, theory and the social culture is reduced to metaphorical analogy. To make this point I retake a critical, phenomenologically inspired reaction by Vivian Sobchack to Baudrillard’s account of Crash, J.G. Ballard’s controversial novel on techno-fetishism. My argument is that the scar that marks Sobchack’s ‘technobody’ might here stand for an alternative that approaches our technological condition not as a discursive machine but as a social pragmatics with deep ethical implications.  相似文献   

7.
本文聚焦于索萨关于默认假定的理论所存在的一个潜在问题,即索萨所声称的其理论与闭合原则的不相容性。基于索萨的"默认假定"概念与维特根斯坦所提出的"枢轴承诺"概念之间的相似性,本文试图从两种流行的枢轴知识论--怀特的资质论和普理查德的非信念论--中为索萨理论寻找可资借鉴的解决方案。本文主张默认假定属于"接受"这一非信念命题态度,因而索萨可采用非信念论对与闭合原则相容性问题的解决策略,同时又可规避非信念论所面临的理论问题。  相似文献   

8.
In this paper, I assume, perhaps controversially, that translation into a language of formal logic is not the method by which mathematicians assess mathematical reasoning. Instead, I argue that the actual practice of analyzing, evaluating and critiquing mathematical reasoning resembles, and perhaps equates with, the practice of informal logic or argumentation theory. It doesn’t matter whether the reasoning is a full-fledged mathematical proof or merely some non-deductive mathematical justification: in either case, the methodology of assessment overlaps to a large extent with argument assessment in non-mathematical contexts. I demonstrate this claim by considering the assessment of axiomatic or deductive proofs, probabilistic evidence, computer-aided proofs, and the acceptance of axioms. I also consider Jody Azzouni’s ‘derivation indicator’ view of proofs because it places derivations—which may be thought to invoke formal logic—at the center of mathematical justificatory practice. However, when the notion of ‘derivation’ at work in Azzouni’s view is clarified, it is seen to accord with, rather than to count against, the informal logical view I support. Finally, I pose several open questions for the development of a theory of mathematical argument.  相似文献   

9.
The phenomenological tradition has had a long interest in embodiment, and bodily experience beyond the confines of the “skinbag” body. Here I respond to Helena De Preester’s analysis of different types of protheses: limb, perceptual, cognitive. In her paper “Technology and the body: the (im)possibilities of re-embodiment”, she wants to make finer distinctions between extensions and incorporations. Today’s hi-tech developments make this refinement necessary and possible. I respond to the three levels or types of prostheses taking note of the increasing difficulty at each level and express certain worries about cognitively framed notions of bodily experience.  相似文献   

10.
Love and Realism     
In this reply I try to show that, contrary to Milberry’s apparent assertion, the general intellect of the multitude does not have the explanatory robustness she accredits to it (following both Virno and the Hardt and Negri of the Empire trilogy). Digital network technologies are currently overwhelmingly effective in proletarianizing and disempowering the cognitariat and only an active technopolitics of deproletarianization could reverse this hegemonic situation. In my response to Verbeek, I attempt to correct his misinterpretation (shared by Milberry) of the Stieglerian approach as being dialectical in nature and show that, far from reinstating the humanist dichotomy between human beings and technologies, my analysis assumes their original, albeit fundamentally ambiguous and even ‘uncanny’ [unheimlich] interconnection. I conclude with pointing out some implications of this view for a ‘really realistic’ political theory of technology.  相似文献   

11.
We can witness the recent surge of interest in the interaction between cognitive science, philosophy of science, and aesthetics on the problem of representation. This naturally leads us to rethinking the achievements of Goodman’s monumental book Languages of Art. For, there is no doubt that no one else contributed more than Goodman to throw a light on the cognitive function of art. Ironically, it could be also Goodman who has been the stumbling block for a unified theory of representation. In this paper, I shall contrast the ways how differently misrepresentation has been treated in cognitive science, aesthetics, and philosophy of science. And I shall show that it is Goodman’s unnecessary separation of resemblance and representation in art that made such a difference. As a conclusion, I will indicate some of the most promising projects toward the unified theory of representation the revolt against Goodman’s rejection of resemblance theories might promise to us.  相似文献   

12.
In response to Peter–Paul Verbeek’s and Paul Levinson’s reviews of my article ‘In Between Us,’ I comment on four criticisms. Firstly, my approach of ‘mediation as such’ does not endorse the view of mediation as secondary to mediata (i.e., entities), but does not exclude it either. Secondly, my concepts of “transparency of use” and of “context” are to be seen as philosophical ‘tools’ and not as mutually exclusive states. Thirdly, I agree with Levinson that technologies do indeed remediate, and mostly not for the worse. However, fourthly, at the same time we should always be on guard for their nefarious effects.  相似文献   

13.
In this article I take the US television series Mad Men (2007—present) as an exemplary ‘approximation’, a term I adopt to signal the way in which certain texts construct a changeable, fluid ‘truth’ resulting from collisions, exchange and dialectical argument. Approximations are layered, their formal layerings mirroring a layered, multifaceted argument. Mad Men integrates and represents real historical events within a fictional setting, and act that suggests that an event or action can never be finished, fixed and not open to reassessment. Specifically, this article examines ‘The Grown Ups’, Episode 12 of Season 3, which charts the events of 22 November 1963, the day Kennedy was assassinated. Although we might be able to bring to mind the images and conspiracy theories that have been made available since (such Abraham Zapruder’s 8 mm home movie footage of the assassination), these images were not available at the time. Mad Men as a series always strives to represent its historical milieu as authentically as possible, so the characters re-enact 22 November 1963 as authentically as possible by watching only what was on television that day (the news bulletin, Walter Kronkite’s announcement that Kennedy is dead). The contemporary backdrop to these events, including the resonances of ‘9/11’ through Mad Men, inform and collide with the authenticity on the screen.  相似文献   

14.
This commentary on Kurt Vanhoutte and Nele Wynants’s of ‘Performing phenomenology: negotiating presence in intermedial theatre’ focuses on the implications of staging phenomenological research. In my opinion the authors missed an opportunity to stress more what W (Double U), a performance of CREW has to offer postphenomenology and what it actually means to ‘perform’ phenomenology. I will not only argue that W (Double U) because of its performative nature offers a reflection on postphenomenology, but also that the performance must be understood as a specific kind of research, conducted simultaneously from a theoretical and aesthetic orientation, leading to a complex interaction between perception and reflection, and offering a valuable, different perspective on postphenomenological research issues. W (Double U) in this respect functions as a ‘theoretical object’, producing a specific kind of embodied knowledge. Finally I will emphasize the possible radical potential in W (Double U), because I do believe that the performance, although it might not lead explicitly to social change, does have an important social and political relevance that the authors do not really delve into.  相似文献   

15.
In this paper I investigate the relation between physics and metaphysics in Plato’s participation theory. I show that the logic shoring up Plato’s metaphysics in paraconsistent, as had been suggested already by Graham Priest. The transformation of the paradoxical One-and-Many of the pre-Socratics into a paraconsistent Great-and-Small bridges the abyss between archaic rationality and the world of classical logic based ultimately on the principle of contradiction. Indeed, language is an organ of perception, not simply a means of communication. J. Jaynes, Origin of Consciousness   相似文献   

16.
尼安德的"传递论证"中有两个不合理之处:第一,把个体性状出现的遗传学原因扩展为个体性状出现的所有原因,从而把完全因果解释理解成了对个体性状的历史解释;第二,要求对个体性状的解释包括对"原因的原因"的无休止上溯,从而把完全因果解释理解成了终极解释。索伯尔在回应尼安德时只是强调了遗传机制与选择机制属于两种不同的因果路径,没有指出尼安德对科学解释的错误理解,这就不能完全排除选择机制对个体性状的解释作用。  相似文献   

17.
I argue that there are no physical singularities in space–time. Singular space–time models do not belong to the ontology of the world, because of a simple reason: they are concepts, defective solutions of Einstein’s field equations. I discuss the actual implication of the so-called singularity theorems. In remarking the confusion and fog that emerge from the reification of singularities I hope to contribute to a better understanding of the possibilities and limits of the theory of general relativity.  相似文献   

18.
Virtual Invaders     
Since both responses interrogate different aspects of my article “The screen as an in-between” (Vanderbeeken 2011), I will address them separately. Vanhoutte rightly questions the affinities of my theses with Luddism, Orwell and Baudrillard’s theoretical terrorism. My reply discusses why these reactionary positions are currently out of joint. Hoens rightly questions my interpretation of the notion ‘passion for the real’ and whether the examples discussed delineate the specificity of new media. My reply discusses how I take this notion as a starting point for an analysis that complements rather then criticises Badiou and ?i?ek and how the apparent resemblance between old and new media in fact entails significant differences.  相似文献   

19.
Marc Van den Bosche suggests that Heidegger’s conceptions of Gestell and Gelassenheit, taken together with his analysis of Nietzschean Nihilism (interpreted especially by Wolfgang Schirmacher), depicts our era in a way that “supplements” Andrew Feenberg and Don Ihde’s work. Weaving these sources together, he sees the possibility of our becoming (quoting Schirmacher) “technicians” that “live, in a released way, within the groundless.” Here, I raise some questions about whether the author has really fitted all these sources together and argue that his idea of becoming post-modern “technicians” appears to require that we first practice a very un-Heideggerian kind of “renunciation.”  相似文献   

20.
This paper studies the Lockean thesis from the perspective of contemporary epistemic logic. The Lockean thesis states that belief can be defined as ‘sufficiently high degree of belief’. Its main problem is that it gives rise to a notion of belief which is not closed under conjunction. This problem is typical for classical epistemic logic: it is single-agent and static. I argue that from the perspective of contemporary epistemic logic, the Lockean thesis fares much better. I briefly mention that it can successfully be extended from single-agent to multi-agent settings. More importantly, I show that accepting the Lockean thesis (and a more sophisticated version for conditional beliefs) leads to a significant and unexpected unification in the dynamic behavior of (conditional) belief and high (conditional) probability with respect to public announcements. This constitutes a methodological argument in favor of the Lockean thesis. Furthermore, if one accepts Baltag’s Erlangen program for epistemology, this technical observation has even stronger philosophical implications: because belief and high probability display the same dynamic behavior, it is plausible that they are indeed one and the same epistemic notion.  相似文献   

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