On Ernest Hemingway＇s Views about Women

Emest Hermngway is famous for his ＂masculinity＂ style in his writing. Meanwhile, he also describes female characters and their strengths and reveals his own sensitivity to gender issues. His early exposure to women is from his upbringing dominatrix. His failure on marriage plays an important role on his works. In his mind, women are the combination of angel and evil. They act elegantly and attract men＇s heart, but sometimes they are changeable. Catherine Barkley is a typical angel except her suspect. Catherine Bourne is an evil though she is charming. Brett Ashley is attractive, but she can＇t love whom she loves. That is a society without choice. Women＇s feelings attach to men. They show their right to love, to change. Even to escape the cruel reality. At the same time they know they can＇ t cast the society. Hemingway pays more attention on women＇s feelings in his writing. On the one hand, he respects women＇s elegance, beauty and view on love. He wants to get love and care from them. On the other hand, he holds in awe on women. He assumes women are changeable, and is afraid of being hurt. Hemingway＇ s mind is full of conflicts, and his love, hatred, sympathy belong to not merely male, but also female. No matter she is angel or evil, he can＇t help himself and his readers falling in love with these women of extraordinary beauty.     

Hemingway＇ s Political Views in His Second Period of Creation

Based on the influence of different relationship between general ideology and authorial ideology on Hemingway＇s works in the second period of his creation, the thesis aims to study the different reflection of his political interest from the perspective of ideology.     

Study on Faulkner＇s Creative Writing Method in The Sound and The Fury

Faulkner＇s masterpiece The Sound and The Fury helps him win world reputation.He uses the creative writing method by combining the stream of consciousness and traditional writing ways.This paper explores the creativity in his writing method through analysis of the four sections of the novel.     

“因文生事”--金圣叹的小说观

中国的传统文论是诗学。小说理论发展较晚,主要体现在明清的小说评点中。金圣叹是其集大成者。他的小说理论,集中到一句话便是——“因文生事”,从而使小说从历史中彻底分离出来而独自成为一种新兴文体。     

拨冗存简，去矫归朴的“净化”艺术－－论海明威的语言风格

海明威发展了马克．吐温的口语化风格，精心表现了人物语言的口音和独特的风格使文中人物有血有肉并且运用简短，简洁，对话式的词句使人物更鲜活，更富有人情味，更具感染力，通过对海明威作品的分析，对其拨冗存简，去矫归朴，简洁，通俗，口语化，生动，活泼的语言风格进行探讨。     

“学院”与“围城”联袂 古典与通俗共舞——论阿袁小说的叙事策略

阿袁小说以华丽的文笔、独特的选材、细腻的心理描写强势闯入读者视野,并获多项大奖,其小说风格有古典之美,有张爱玲小说的味道,属于学院派作家的谱系。本文以叙事学原理来分析阿袁小说的视角、结构、话语和风格等。     

“志同道不合”与“志同道合”——论合作化小说情爱叙事中的两种主要结构模式

＂十七年＂合作化题材小说中的情爱叙事是一个不容忽视的重要问题。在当时主流政治话语的强力规训下,情爱叙事失去了其本来的面目。＂儿女情＂被革命、阶级话语深深地压抑和遮蔽了,而呈现出来的乃是两种最为典型的＂志同道不合＂式与＂志同道合＂式的情爱结构模式。     

理性裹挟下的“欲望”书写——解读丁玲“左联”时期小说中的裂隙

“左联”时期,丁玲的创作几乎都带有一个“革命”叙事的框架,在她的“革命＋恋爱”题材的小说、与恋爱无关的知识分子题材的小说和表现工农大众题材的小说中,丁玲依循革命叙事模式,在理性层面人为地建构起一个“革命”叙事的框架;在潜意识层面却不自觉地保留着固有的个性化立场,并在“革命”叙事的过程中不时插入自己的个性话语,从而导致了文本的叙事结构出现了难以弥合的裂缝。     

“不乐飞升”与“神仙思凡”——唐代仙道小说的两个叙事母题

在唐代仙道小说中,不乐飞升的母题是唐人热衷于富贵功名的时代心理的折射,神仙思凡母题是道教重生恶死的生存观念和重视现实人生的世俗品格的表现。不乐飞升和神仙思凡的母题共同彰显了道教重生的现世特征。     

Justification for Marcel＇s“Reading First”

As one of the outstanding figures in the pre-Reform Movement in the nineteenth century,Marcel was known to us by his fa-mous proposal of＂reading first＂.However,he and his proposal were unfairly neglected by his contemporaries and his successors.In fact,thisproposal was based on a rational theory of reading： the cognitive process of reading and the distinction between impression and expression.This proposal is worth attending to afresh.     

微型小说叙述技巧中的“影视蒙太奇”

本文从影视蒙太奇理论入手，阐述了微型小说叙述技巧中对影视蒙太奇手法的汲取，并间以电影、微型小说珍品具体说明。