Antony van Leeuwenhoek's microscopes and other scientific instruments: new information from the Delft archives

This paper discusses the scientific instruments made and used by the microscopist Antony van Leeuwenhoek (1632–1723). The immediate cause of our study was the discovery of an overlooked document from the Delft archive: an inventory of the possessions that were left in 1745 after the death of Leeuwenhoek's daughter Maria. This list sums up which tools and scientific instruments Leeuwenhoek possessed at the end of his life, including his famous microscopes. This information, combined with the results of earlier historical research, gives us new insights about the way Leeuwenhoek began his lens grinding and how eventually he made his best lenses. It also teaches us more about Leeuwenhoek's work as a surveyor and a wine gauger.

A further investigation of the 1747 sale of Leeuwenhoek's 531 single lens microscopes has not only led us to the identification of nearly all buyers, but also has provided us with some explanation about why only a dozen of this large number of microscopes has survived.     

Outward bound: women translators and scientific travel writing, 1780–1800

SUMMARY

As the Enlightenment drew to a close, translation had gradually acquired an increasingly important role in the international circulation and transmission of scientific knowledge. Yet comparatively little attention has been paid to the translators responsible for making such accounts accessible in other languages, some of whom were women. In this article I explore how European women cast themselves as intellectually enquiring, knowledgeable and authoritative figures in their translations. Focusing specifically on the genre of scientific travel writing, I investigate the narrative strategies deployed by women translators to mark their involvement in the process of scientific knowledge-making. These strategies ranged from rhetorical near-invisibility, driven by women's modest marginalization of their own public engagement in science, to the active advertisement of themselves as intellectually curious consumers of scientific knowledge. A detailed study of Elizabeth Helme's translation of the French ornithologist François le Vaillant's Voyage dans l'intérieur de l'Afrique [Voyage into the Interior of Africa] (1790) allows me to explore how her reworking of the original text for an Anglophone reading public enabled her to engage cautiously – or sometimes more openly – with questions regarding how scientific knowledge was constructed, for whom and with which aims in mind.     

The history of the rossbank observatory,tasmania

Rossbank functioned from 1840 to 1854 as one of a chain of British Colonial Observatories which combined with European and Asian observatories in the study of terrestrial magnetism. It was established in Hobart, Tasmania, by the Governor of Van Diemen's Land, Sir John Franklin, and Captain James Clark Ross, R.N., commanding H.M. ships Erebus and Terror. The history and operation of the Rossbank Observatory is related, its instruments described, and the results discussed.

Biographical notes on the Observatory staff, with lists of its archives and instruments are provided. A number of previously unpublished pictures show the Observatory in use and the surviving buildings and instruments today.     

Ptolemy and the meta-helikôn

In his Harmonics, Ptolemy constructs a complex set of theoretically ‘correct’ forms of musical scale, represented as sequences of ratios, on the basis of mathematical principles and reasoning. But he insists that their credentials will not have been established until they have been submitted to the judgement of the ear. They cannot be audibly instantiated with the necessary accuracy without the help of specially designed instruments, which Ptolemy describes in detail, discussing the uses to which each can be put and cataloguing its limitations. The best known of these instruments is the monochord, but there are several more complex devices. This paper discusses one such instrument which is known from no other source, ancient or modern, whose design was prompted by the geometrical construction known as the helikôn. It has several remarkable peculiarities. I examine its design, its purposes, and the merits and shortcomings which Ptolemy attributes to it. An appendix describes an instrument I have built to Ptolemy’s specifications (possibly the first of its kind since the second century bc), in an attempt to find out how satisfactorily such a bizarre contraption will work; and it explains how various practical problems can be resolved.     

On Joseph Fourier: the man,the mathematician and the physicist

In 1793 Lord Macartney arrived in China as ambassador of King George III. The aims of his embassy were largely directed towards the enlargement of British trade with the far east, and especially with China. The embassy also had a diplomatic and cultural mission, to impress the Chinese with British achievements. They were to do so largely by distributing presents of British manufactures, chief among them being scientific instruments. The Chinese refused the embassy's requests, and clearly regarded the gifts of instruments as merely ingenious toys. This paper describes the role of instruments in the embassy, and contrasts British expectations with Chinese attitudes to scientific instruments. The embassy's failure is shown to reveal fundamental differences in British and Chinese eighteenth-century responses to science, and has wide cultural implications.     

On Kepler's awareness of the problem of experimental error

This paper is an account of Kepler's explicit awareness of the problem of experimental error. As a study of the Astronomia nova shows, Kepler exploited his awareness of the occurrences of experimental errors to guide him to the right conclusion. Errors were thus employed, so to speak, perhaps for the first time, to bring about a major physical discovery: Kepler's laws of planetary motion. ‘Know then’, to use Kepler's own words, ‘that errors show us the way to truth.’ With a survey of Kepler's revolutionary contribution to optics, the paper demonstrates that Kepler's awareness of the problem of experimental error extended beyond discrepancies between calculations and observations to types of error which pertain to observations and instruments. It emerges that Kepler's belief in the unity of knowledge and physical realism, facilitated—indeed created—the right philosophical posture for comprehending the problem of error in an entirely novel way.     

Bailey Willis (1857-1949): Geological Theorizing and Chinese Geology

Bailey Willis was the second major American geologist to undertake reconnaissance research in China--in the years 1903-04. Together with the stratigrapher Eliot Blackwelder, topographer Harvey Sargent, and guide Li Shan, he travelled first in Shandong Province, then from Peking to Xian, thence across the mountains into Sichuan, and then by river via the Yangzi Gorges to Shanghai. It was hoped that they would discover the primeval ancestor of trilobites in China, but the search proved unsuccessful. Willis's stratigraphic findings are described, as are his structural interpretations of what he observed in China. His work in China gave rise to some unfounded speculations about the possible causes of lateral Earth movements, due to rocks of different densities being adjacent to one another in the Earth's crust. These ideas were followed by several other 'theories of the Earth' during Willis's later career, some of which were also probably related to his experiences in China. He seemingly practised the formulation of 'multiple working hypotheses'. The paper also discusses the influence of Willis's survey and stratigraphic work on the subsequent development of Chinese geology, with particular attention given to the various meanings of the term 'Sinian System'. Mention is made of later work in China on Lower Cambrian stratigraphy.     

Brokering Instruments in Napoleon's Europe: The Italian Journeys of Franz Xaver von Zach (1807–1814)

This paper explores the interactions between scientific travel, politics, instrument making and the epistemology of scientific instruments in Napoleon's Europe. In the early 1800s, the German astronomer Franz Xaver von Zach toured Italy and Southern France with instruments made by G. Reichenbach in his newly-established Bavarian workshop. I argue that von Zach acted as a broker for German technology and science and that travel, personal contacts and direct demonstrations were crucial in establishing Reichenbach's reputation and in conquering new markets. The rise of German instrument making highlights the complexity of the scientific relationship between the centre and the peripheries in Napoleon's empire, and reveals the existence of diverging views on the role of instruments and of their makers. In von Zach's view, Reichenbach's instruments could not penetrate the French market because Parisian astronomers focused on mathematical astronomy and, for both political and epistemological reasons, dismissed instruments and material innovations from the peripheries. The German astronomer and his Italian colleagues, on the contrary, regarded Reichenbach's technical achievements as outstanding contributions to astronomy, and considered the political and cultural hegemony of the capital as a hindrance to the advancement of science.     

Phenomenotechnique: Bachelard's critical inheritance of conventionalism

The concept of phenomenotechnique has been regarded as Bachelard's most original contribution to the philosophy of science. Innovative as this neologism may seem, it benefited from a generation of debates on the nature and status of scientific facts, among conventionalist thinkers and their opponents. Granting that Bachelard stood among the opponents to conventionalism, this article nonetheless reveals deep similarities between his work and that of two conventionalist thinkers who insisted on what we call today the theory-ladenness of scientific experiment: Pierre Duhem and Édouard Le Roy. This article, therefore, compares Bachelard's notion of phenomenotechnique with Duhem's developments on the double character of scientific instruments, and with Le Roy's claim that scientific facts are fabricated to meet the requirements of theory. It shows how Bachelard retained Duhem and Le Roy's views on the interplay between theory and experiment but rejected their sceptical conclusions on the limitations of experimental control. It claims that this critical inheritance of conventionalism was made possible by a reflection on technology, which led Bachelard to re-evaluate the artificiality of scientific facts: instead of regarding this artificiality as a limitation of science, as Le Roy did, he presented it as a condition for objective knowledge.     

Instruments of Music,Instruments of Science: Hermann von Helmholtz's Musical Practices,his Classicism,and his Beethoven Sonata

The young Hermann Helmholtz, in an 1838 letter home, declared that he always appreciated music much more when he played it for himself. Though a frequent concert-goer, and celebrated for his highly influential 1863 work on the physiological basis of music theory, Die Lehre von den Tonempfindungen, it is likely that Helmholtz's enduring engagement with music began with his initial, personal experience of playing music for himself. I develop this idea, shifting the discussion of Helmholtz's work on sound sensation back to its origins, and examine the role of his material interaction with musical instruments and music itself. In his sound sensation studies, Helmholtz understood sound as an external, physical object. But Helmholtz also conceived of sound in musical terms. Further, Helmholtz's particular musical tastes as well as his deeply personal interaction with musical instruments allowed him to reconcile his conception of sound as physical object with his conception of sound as music. Helmholtz's physiological theory of sound sensation was both the product of and constitutive of how he heard and created sound. I argue that Helmholtz himself was the embodied reconciliation of his physiological theory of sound sensation and his belief that musical aesthetics were historically and culturally contingent.     

The Spectacle de la Nature in Eighteenth-Century Spain: From French Households to Spanish Workshops

This paper analyzes the Spanish appropriation of one of the great French eighteenth-century best-sellers, the Spectacle de la Nature (1732--1750) by the abbé Antoine Nöel Pluche. In eight volumes, the abbé discussed current issues in natural philosophy, such as Newtonianism, the origin of fossils, artisan techniques, natural history, machines, gardening or insect-collection in a polite-conversation format. It was translated into English (1735), Dutch (1737), Italian (1737), German (1746) and Spanish (1753). But the four Spanish editions were very different from their European counterparts. In Spain, it was delivered in 16 carefully printed and extensively commented volumes. In Pluche's original, there was a concern for the young gentleman's education, new pedagogical methods and an enthusiastic defence of experimental knowledge. However, Le Spectacle in Spain was conceived as a useful tool for modernizing the country, it served political and propagandist goals, defended Spanish culture and science (in particular with respect to American flora, fauna and geography) and the Jesuit contribution to science and aimed to harmonize experimental knowledge and scholastic tradition. The analysis of the more than 1500 footnotes, prefaces, some readers’ comments and other questions related to the format gives insight on how it was appropriated.     

Scrutinizing thing knowledge

In his book Thing Knowledge Davis Baird argues that our accustomed understanding of knowledge as justified true beliefs is not enough to understand progress in science and technology. To be more accurate he argues that scientific instruments are to be seen as a form of “objective knowledge” in the sense of Karl Popper.I want to examine if this idea is plausible. In a first step I want to show that this proposal implies that nearly all man-made artifacts are materialized objective knowledge. I argue that this radical change in our concept of knowledge demands strong reasons and that Baird does not give them. I take a look at the strongest strand of arguments of Baird's book—the arguments from cognitive autonomy—and conclude that they do not suffice to make Baird's view of scientific instruments tenable.     

Re-examining the impact of European astronomy in seventeenth-century China: a study of Xue Fengzuo’s system of thought and his integration of Chinese and Western knowledge

ABSTRACT

During the late Ming and early Qing period, Jesuit missionaries introduced European science into China, and thereby profoundly influenced the later development of Chinese astronomy. Not only did European astronomy become the official system of the Qing dynasty, but the traditional way to ‘attain up above’ by connecting the study of astronomy and Yi learning gradually fell into disuse. However, the astronomers in this period expressed different views on these two processes. As one of the most important early Qing astronomers, Xue Fengzuo’s case presents a distinctive and important example. Firstly, under the influences of both Chinese tradition and European science, Xue Fengzuo rebuilt the way to ‘attain up above’ based on his three-fold ‘calendrical learning’, i.e. calendrical astronomy, astrology and related pragmatic applications, through which he could realize the highest Confucian ideal. Secondly, he integrated Chinese and Western knowledge for all three aspects of his ‘calendrical learning’, instead of ceding the dominant position to Western methods. From Xue Fengzuo’s example, many of the complex effects of the encounter between different cultures and the process of knowledge transfer can be revealed.     

Editing Newton in Geneva and Rome: The Annotated Edition of the Principia by Calandrini,Le Seur and Jacquier

This contribution examines the circumstances of composition of the annotated edition of Newton's Principia that was printed in Geneva in 1739–1742, which ran to several editions and was still in print in Britain in the mid-nineteenth century. This edition was the work of the Genevan Professor of Mathematics, Jean Louis Calandrini, and of two Minim friars based in Rome, Thomas Le Seur and François Jacquier. The study of the context in which this edition was conceived sheds light on the early reception of Newtonianism in Geneva and Rome. By taking into consideration the careers of Calandrini, Le Seur and Jacquier, as authors, lecturers and leading characters of Genevan and Roman cultural life, I will show that their involvement in the enterprise of annotating Newton's Principia answered specific needs of Genevan and Roman culture. The publication and reception of the Genevan annotated edition has also a broader European dimension. Both Calandrini and Jacquier were in touch with the French république des lettres, most notably with Clairaut and Du Châtelet, and with the Bernoulli family in Basel. Therefore, this study is also relevant for the understanding of the dissemination of Newton's ideas in Europe.     

British Acoustics and its Transformation from the 1860s to the 1910s

Between the 1860s and the 1910s, British acoustics was transformed from an area of empirical research into a mathematically organized field. Musical motives—improving musical scales and temperaments, making better musical instruments, and understanding the nature of musical tones—were among the major driving forces of acoustical researchers in nineteenth-century Britain. The German acoustician, Helmholtz, had a major impact on British acousticians who also had extensive interactions with American and French acousticians. Rayleigh's acoustics, reflecting all these features, bore remarkable fruit in his treatise The Theory of Sound, which successfully subjected empirical acoustics to analytical mathematics. His accomplishments made British acoustics a subfield of physics, thus distinguishing it from the ‘new acoustics’ in early twentieth-century America.     

Pictures and pedagogy: The role of diagrams in Feynman's early lectures

This paper aims to give a substantive account of how Feynman used diagrams in the first lectures in which he explained his new approach to quantum electrodynamics. By critically examining unpublished lecture notes, Feynman's use and interpretation of both “Feynman diagrams” and other visual representations will be illuminated. This paper will discuss how the morphology of Feynman's early diagrams were determined by both highly contextual issues, which molded his images to local needs and particular physical characterizations, and an overarching common diagrammatic style, which facilitated Feynman's movement between different diagrams despite their divergent forms and significance.     

Technoscientific approaches to deep time

In this paper, I argue that in order to understand the process behind the knowledge production in the historical sciences, we should change our theoretical focus slightly to consider the historical sciences as technoscientific disciplines. If we investigate the intertwinement of technology and theory, we can provide new insights into historical scientific knowledge production, preconditions, and aims. I will provide evidence for my claim by showing the central features of paleontological and paleobiological data practices of the nineteenth and twentieth centuries. In order to work with something that is imperfect and incomplete (the fossil record), paleontologists used different technological devices. These devices process, extract, correct, simulate, and eventually present paleontological explananda. Therefore, the appearance of anatomical features of non-manipulable fossilized organisms, phenomena such as mass-extinctions, or the life-like display of extinct specimens in a museum's hall, depend both on the correct use of technological devices and on the interplay between these devices and theories. Consequently, in order to capture its underlying epistemology, historical sciences should be analyzed and investigated against other technoscientific disciplines such as chemistry, synthetic biology, and nanotechnology, and not necessarily only against classical experimental sciences. This approach will help us understand how historical scientists can obtain their epistemic access to deep time.     

The story of ‘Scientist: The Story of a Word’

This examination of an important paper by Sydney Ross is the first in a projected series of occasional reflections on ‘Annals of Science Classic Papers’ that have had enduring utility within the field of history of science and beyond. First the messages of the paper are examined, some well known but others, particularly Ross's own contemporary concerns about the use of the word ‘scientist’, less so. The varied uses made of the paper by scholars are then traced before Ross's biography is examined in order to try to understand how a figure professionally marginal to the field of history of science came to write such a significant piece. Ross’s interest in the topic appears to have been informed by a romantically tinged scientific progressivism and a deep concern with the importance of linguistic precision in science and in public affairs. The inspirations of the author and the interests of his audience have been only partially aligned, but the paper's insights remain of broad historical interest and have wider ramifications since the denotation ‘scientist’ and its proper application are much debated today in contests over the authority of science.