“律法者”的缺失与“象征界”的症候--1928-1930年旅日时期茅盾创作心理探析

茅盾的创作心理变化，既是独特的个人的心理体验，又是典型的20世纪中国作家的心路历程。在大革命失败后，隐居上海的茅盾的心理变化尤其剧烈，他在一定程度上丧失了“象征秩序”，此时期他的作品也呈现某种“症候性”。他从1928年7月到1930年4月旅居日本，集中书写内心的苦闷，但从《虹》开始过渡到重新认可社会网络的重要性。他发现与另外一位女性交往同样无法建立两性间的“律法秩序”，于是回到上海，加入左联，进行全新面貌的创作，成功地重建了“象征界”。

Absence of the ‘Law’ and the ‘Semiotic’ in the ‘Symbolic’---On Mao Dun’ Creative Psychology during the Period of Living in Japan from 1928 to 1930

The creative psychology of Mao Dun , is not only his psychological experiences , but also representa-tive journey of the heart of modern Chinese writers during the 20th century.After the failure of Great Revolution, the psychology of Mao Dun changed greatly when he lived in Shanghai in seclusion .He lost the symbolic to a cer-tain extent , and the semiotic appeared in his works in the meanwhile .He lived in Japan from 1928 to 1930 , ex-pressing his anguish , but from the time of writing his novel Rainbow, Mao Dun began to realize the importance of social relations .He found that he could not set up the Law with another woman , and then he returned to Shanghai . With joining in the League of Leftist Chinese Writers and writing works of new features , Mao Dun rebuilt the sym-bolic successfully .