| 明丽的忧伤──浅论萧红、迟子建小说的美学风格 |
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| 引用本文： | 李博微.明丽的忧伤──浅论萧红、迟子建小说的美学风格[J].开封大学学报,2001,15(3):8-12. |
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| 作者姓名： | 李博微 |
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| 作者单位： | 开封大学,中文系,河南,开封,475004 |
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| 摘 要： | 作为时隔50多年相继从北大荒进入都市的年轻知识女性,萧红和迟子建对其曾置身其中的地域文化作出了理性的观照和思考.在创作取材上,倾向于描写北国乡民沉重但并不绝望的生存状态,呈现出浓郁的悲剧色彩.并且由于作家本体气质的接近,在文体上共同表现出清顺明朗的美学风格,且与小说内容的沉郁悲壮达到了和谐统一.
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| 关 键 词： | 萧红 迟子建 小说 美学风格 |
| 文章编号： | 1008-343X(2001)03-0008-05 |
| 修稿时间： | 2001年8月5日 |
Bright distress--on esthetic style of stories written by Xiao Hong and Chi Zijian |
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| LI,Bo_wei.Bright distress--on esthetic style of stories written by Xiao Hong and Chi Zijian[J].Journal of Kaifeng University,2001,15(3):8-12. |
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| Authors: | LI Bo_wei |
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| Abstract: | As young intellectual ladies form the big North Wildland to the metropolis in the past 50 years, Xiao Hong and Chi zijian had given a rational care and thinking about geographic culture which they lived in. Both of their production tended to describe the hard but underspairing life of the northern villagers and went on a tragic look. In addition, these two writers were similar in temperament, so their stories went the same in a bright esthetic style, and this style was in a perfect harmony with the solemn and stirring content. |
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| Keywords: | Xiao Hong Chi Zijian stories esthetic style |
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