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“五四”以来女性文学中女性主体性的建构——兼论隐形空间中的集体型叙事声音模式
引用本文:崔蔚.“五四”以来女性文学中女性主体性的建构——兼论隐形空间中的集体型叙事声音模式[J].开封大学学报,2009,23(4):42-45.
作者姓名:崔蔚
作者单位:中国人民大学,文学院,北京,100872
摘    要:集体型叙事声音模式的应用是女性写作由私人空间走向公共空间的标志,当女性文学中的女性人物以“我们”这一集体声音出现时,女性对男性传统下女性审美标准的否定就由零星走到了群体。“隐形空间”不仅意味着女性生存的物质条件,同时更代表从女性主义角度出发的审美观点和评价机制,是女性进行自我赋权的理论生长点。

关 键 词:女性文学  隐形空间  叙事声音模式

Construction of Feminine Subjectivity in Chinense Feminism Texts of Contemporary Literay Works——Colletive Narrative Voice Mode in the Invisible Space
CUI Wei.Construction of Feminine Subjectivity in Chinense Feminism Texts of Contemporary Literay Works——Colletive Narrative Voice Mode in the Invisible Space[J].Journal of Kaifeng University,2009,23(4):42-45.
Authors:CUI Wei
Institution:CUI Wei (School of Liberal Arts, Renmin University of China, Beijing 100872, China )
Abstract:The essay discusses on the relationship between collective narrative voice mode and construction of feminine subjectivity. The concept of collective narrative voice in feminine writing comes from American feminism theoretician, Susan Sniader Lanser. She thought that the female must take an alternately - weighting narrative mode to realize self authority. The collective narrative voice mode is applicable. In this essay, the use of collective narrative voice mode is also considered as a symbol of feminine writing walking towards public area from personal room. When the female characters in feminine literature come up with a collective voice of "us"; more and more female are saying "no" to male's traditional aesthetical standard of female.
Keywords:collective narrative voice mode  feminine suhjectivity  invisihle space
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