| 中国戏曲与西方戏剧鬼魂形象的文化渊源 |
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| 引用本文： | 黄水霞.中国戏曲与西方戏剧鬼魂形象的文化渊源[J].韶关学院学报,2008,29(5):32-35. |
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| 作者姓名： | 黄水霞 |
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| 作者单位： | 肇庆学院外国语学院,广东肇庆,526000 |
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| 摘 要： | 鬼魂形象的出现符合戏剧哲理学,是民族文化意识的具体表现,它的演变也是社会发展的需要。对中国戏曲与西方戏剧中的鬼魂形象表现模式进行比较,辨析戏剧和戏曲在审美原则方面的根本差异,对作家创作心理与整个社会心态作进一步探讨,发掘出鬼魂形象艺术上的独特魅力以及中国戏曲不同于西方戏剧的艺术价值和文化意蕴。
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| 关 键 词： | 中国戏曲 西方戏剧 鬼魂形象 |
| 文章编号： | 1007-5348(2008)05-0032-04 |
| 修稿时间： | 2008年1月11日 |
Cultural Traditions of Ghost-or-Spirit Image in CHinese Traditional: Opera and Western Drama |
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| HUANG Shui-xia.Cultural Traditions of Ghost-or-Spirit Image in CHinese Traditional: Opera and Western Drama[J].Journal of Shaoguan University(Social Science Edition),2008,29(5):32-35. |
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| Authors: | HUANG Shui-xia |
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| Institution: | HUANG Shui-xia (Faculty of Foreign Languages, Zhaoqing University, Zhaoqing 526000, Guangdong, China) |
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| Abstract: | The emergence of the ghost-or-spirit image ,whose evolution is also the demand of social development, accords with the philosophic theory about drama and manifests the national culture. After analyzing and comparing the performance mode of the ghost-or-soul image,the article is intented to discuss the differences between chinese and western culture ,as well as to differentiate artistic value and culture meaning between Chinese traditional opera and western drama. |
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| Keywords: | Chinese traditional opera western drama ghost-or-sp irit image |
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