| 《梁山伯与祝英台》与《罗密欧与朱丽叶》调式比较 |
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| 引用本文： | 秦伟.《梁山伯与祝英台》与《罗密欧与朱丽叶》调式比较[J].韶关学院学报,2007,28(8):120-121. |
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| 作者姓名： | 秦伟 |
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| 作者单位： | 韶关学院,音乐系,广东,韶关,512005 |
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| 摘 要： | 《梁山伯与祝英台》与《罗密欧与朱丽叶》两部作品的内容都取材于民间故事,都属于标题性音乐作品,作品曲式结构基本相同。不同之处是对造成悲剧原因的展示有着明显区别,主、副部主题的表现和运用截然相反,音乐的主基调有较大差异,作品的整体风格迥异。
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| 关 键 词： | 小提琴协奏曲 幻想序曲 奏鸣曲 |
| 文章编号： | 1007-5348（2007）08-0120-02 |
| 修稿时间： | 2007-06-05 |
Differences and Similarity Between LiangShanbo and ZhuYingtai and Romeo and Juliet |
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| QIN Wei.Differences and Similarity Between LiangShanbo and ZhuYingtai and Romeo and Juliet[J].Journal of Shaoguan University(Social Science Edition),2007,28(8):120-121. |
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| Authors: | QIN Wei |
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| Institution: | Department of Music, Shaoguan University, Shaoguan 512005, Guangdong, China |
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| Abstract: | Liang Shanbo and Zhuyingtai and Romeo and Juliet,the two works contents all selects material from the folk tale,all belongs to the title music work,and the work musical form structure basically is the same.The dif- fernce lies in the presentation of the reason of the tragedy.The expression of theme is opposite.The main key of the music has great difference and the works' overall style are very different. |
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| Keywords: | Violin Concerto fantasia overture sonata |
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