| 试论太宰治的《叶樱与魔笛》 |
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| 引用本文： | 蔡超.试论太宰治的《叶樱与魔笛》[J].韶关学院学报,2011,32(11):59-62. |
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| 作者姓名： | 蔡超 |
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| 作者单位： | 韶关学院外语学院,广东韶关,512005 |
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| 基金项目： | 韶关学院科研资助项目“太宰治作品中基督教思想与鲁迅形象的研究”(200915) |
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| 摘 要： | 1939年,正当日本大规模发动侵华战争之时,太宰治创作发表了《叶樱与魔笛》,将他反对战争、向往自由的美好愿望寄托到"魔笛"上。不仅如此,太宰治还将"魔笛"与神灵联系在一起,以此表达他对神灵的无限崇敬和向往。
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| 关 键 词： | 太宰治 《叶樱与魔笛》 神灵 战争 |
The Magic Flute and Gods:on Osamu Dazais' Hazakura to Mateki |
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| CAI Chao.The Magic Flute and Gods:on Osamu Dazais' Hazakura to Mateki[J].Journal of Shaoguan University(Social Science Edition),2011,32(11):59-62. |
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| Authors: | CAI Chao |
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| Institution: | CAI Chao(School of Foreign Languages,Shaoguan University,Shaoguan 512005,Guangdong,China) |
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| Abstract: | In 1939,when Japan launched violent aggression against China,Osamu Dazai created Hazakura to mateki,which he placed his wishes of his yearning for freedom and his opposition to war.It is cleat that the magic flute is adapted from Mozart's opera the Magic Flute.Also Osamu Dazai combined the magic flute with the gods to express his admiration and yearning to the gods.This dissertation expounds on his understanding of the gods and the magic flute,and further explores his other works of the same period. |
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| Keywords: | Hazakura to Mateki the magic flute Gods war |
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