| 唐宋文人审美情趣的嬗变——论山水画的兴起发展 |
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| 引用本文： | 王安娜.唐宋文人审美情趣的嬗变——论山水画的兴起发展[J].南昌职业技术师范学院学报,2011(2). |
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| 作者姓名： | 王安娜 |
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| 作者单位： | 江西科技师范学院,江西南昌,330013 |
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| 摘 要： | 唐宋作为中国文化发展的又一鼎盛与重要转折时期,其绘画也是瑰丽多姿。而文人是社会意识的代表,他们所体现出来的审美追求,最为充分地表现中国绘画的社会主流审美情趣。中国的艺术精神,可说由唐代水墨淡彩山水的出现而完成了它自身性格所要求的形式,才完成了文人进入绘画主流审美意识的舞台。随着社会思潮的不断变迁,山水画取代了人物画却在其后不远的北宋时代迎来了它的高峰。
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| 关 键 词： | 文人 审美情趣 嬗变 中国画 |
The Evolution of the Aesthetic Temperament and Interest of literati in the Tang and the Song Dynasties:on the Development of the Landscape Painting |
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| Wang Anna.The Evolution of the Aesthetic Temperament and Interest of literati in the Tang and the Song Dynasties:on the Development of the Landscape Painting[J].Journal of Nanchang Vocational & Technical Techers' College,2011(2). |
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| Authors: | Wang Anna |
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| Institution: | Wang Anna(Jiangxi Science & Technology Nnormal University,Nanchang 330013,P.R.China) |
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| Abstract: | The Tang and the Song Dynasties are the period of heyday and important turning point in the development of Chinese culture,and the painting is also elegant and magnificent.As literatus are the representatives of social consciousness,their aesthetic pursuit reflects the social mainstream of aesthetic interest in Chinese painting world.China's artistic spirit finished it required form of their own personality and the arena of aesthetic consciousness of painting mainstream for literati to enter when ink and li... |
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| Keywords: | literati aesthetic temperament and interest evolution Chinese paintings |
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