“美丽的日本”与“暖昧的日本”－川端康成为大江健三郎创作比较

日本诺贝文学奖获得者川端康成和大江健三郎以自己出色的文学创作向世界展示了“美丽的日本”与“暧昧的日本”。川端康成是日本传统文学的集大成者，被称为日本的“美神”。大江健三郎是日本战后文学的代表。他的作品极具现代性和世界性。其中，川端康成的“孤儿根性”和大江健三郎“畸婴体验”对他们的创作具有重要的意义。川端康成对“唯美”与“感伤”文学传统的继承和大江健三郎对西方“存在主义”的批判吸收使他们的文学创作呈现出不同的风貌。

The Beautiful Japan and the Ambiguous Japan--A Comparison between Kawabata Yasunari's works and Kenzabuto Oe's

Kawabata Yasunari and Kenzaburo Oe, the winners of Nobel Prize for literature, show the beautiful Japan and the ambiguous Japan to the world with their remarkable literary works. The most accomplished writer of Japanese traditional literature, Kawabata Yasunari is called as Japan's God of Beauty, and Kenzabuto Oe, whose works are modern and universal, is the representative of post-war Japanese literature. Kawabata Yasunari's ideological roots of orphan and Kenzabuto Oe's understanding of deformed baby make a great effect to their writing creation. The works of the two writers have different styles for Kawabata Yasunari carries forward the literary traditions of aestheticism and sentimentalism while Kenzabuto Oe is influenced by existentialism.