由“气韵生动”谈审美活动的符号化显现 |
| |
引用本文: | 华锐.由“气韵生动”谈审美活动的符号化显现[J].西安联合大学学报,2014(6):80-83. |
| |
作者姓名: | 华锐 |
| |
作者单位: | 西安建筑科技大学思想政治理论教学研究院,西安710054 |
| |
摘 要: | 审美活动的抽象性特质集中体现在其特殊的形式化特征的显现上。而作为形式化内涵的载体,“符号”的特殊地位就愈发凸显出来。“气韵生动”,这个诞生于我国传统绘画技法当中的审美标尺,就是形式之美的高级实现表述,其可指的对象早已超出绘画的范畴。关于其自身信息传递方式及与我们主体融合对话所呈现出的审美体验的探究,具有非常重要的意义。
|
关 键 词: | 气韵生动 符号化显现 组织形式 审美活动 |
On Symbolic Expression of Aesthetic Activity from the View of“Vivid Charm” |
| |
Authors: | HUA Rui |
| |
Institution: | HUA Rui(Department Ideological and Political Theory,Xi'an University of Architectural Science and Technology, Xi'an 710054, China) |
| |
Abstract: | The abstract nature of aesthetic activity embodied in the formalization of its special features .And as for-mal connotation carrier , the special status of “symbol”f would become more prominent .“Vivid charm”, Chinese traditional aesthetic scale in painting techniques , is the higher achievment of expression form , which may refer to objects far beyond the scope of the painting .It is very important significance to explore the expression of the aes-thetic experience in its way of transmitting information as fusion dialogue with subjects . |
| |
Keywords: | vivid charm symbolic expression organizational forms aesthetic activity |
本文献已被 维普 等数据库收录! |