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论苏轼"寓意而不留意"书画观的禅门精神
引用本文:陈中浙.论苏轼"寓意而不留意"书画观的禅门精神[J].孝感学院学报,2004,24(5):27-30.
作者姓名:陈中浙
作者单位:中共中央党校哲学部 北京100091
摘    要:在苏轼丰富的书画理论思想中,“寓意而不留意”的书画思想尤为引人注目。苏轼认为对于书画只能“寓意”而非“留意”。因为“寓意”可以寄托情思,其乐无穷,真正发挥书画的“悦人”功用;而“留意”就会爱不释手,执著沉迷,给主体带来消极的影响。故而对于书画应该采取一种“悦”而不“执”的欣赏态度。这种思维方式,蕴涵着禅门“于相而离相”、“住而不住”的精神。

关 键 词:苏轼  寓意  留意  书画  禅宗
文章编号:1671-2544(2004)05-0027-04

The Zenish Spirits in Su Shi's View of "Place Interest on Painting and Calligraphy but Not be Indulged in"
CHEN Zhong-zhe.The Zenish Spirits in Su Shi''''s View of "Place Interest on Painting and Calligraphy but Not be Indulged in"[J].JOURNAL OF XIAOGAN UNIVERSITY,2004,24(5):27-30.
Authors:CHEN Zhong-zhe
Abstract:In Su Shi's abundant thoughts of painting and calligraphy,"place interest on painting and calligraphy but not be indulged in"is most notable. Su Shi believes that people can be interested in painting and calligraphy,but should not be punctilious to it. Because painting and calligraphy can give people great fun when people place interest on it;but will do harm to people when people are indulged in it.Thus people should try to get fun from painting and calligraphy instead of being fettered,and this kind of attitude embodies the Zenish spirits.
Keywords:Su Shi  place interest on (painting and calligraphy)  be indulged in (painting and calligraphy)  painting and calligraphy  Zen
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