| 《溪山琴况》的美学思想 |
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| 引用本文： | 陈望衡.《溪山琴况》的美学思想[J].衡阳师专学报,2008(1):50-54. |
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| 作者姓名： | 陈望衡 |
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| 作者单位： | 武汉大学哲学学院,湖北武汉430072 |
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| 摘 要： | 明末的琴艺术专著《溪山琴况》,在相当程度上总结了中国的琴美学。它所表达的有关琴艺术的美学思想,可以看作中国音乐美学的高峰。全文论述了24个范畴,为琴艺24种状况,重点论述了音乐的境界为和,琴艺的品格为清,琴艺的形象为丽。
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| 关 键 词： | 琴艺术 音乐 中国音乐美学 |
On Esthetics of Xishan Qinkuang |
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| CHEN Wang-heng.On Esthetics of Xishan Qinkuang[J].Journal of Hengyang Normal University,2008(1):50-54. |
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| Authors: | CHEN Wang-heng |
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| Institution: | CHEN Wang-heng (Philosophy School of Wuhan University, Wuhan Hubei 430072. China) |
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| Abstract: | Xishan qinkuang, a monograph about musical instrument art written in the end of Ming Dynasty, summarized Chinese musical instrument esthetics to a certain degree. Its esthetics thought musical instrument art can be regarded as the peak of Chinese music esthetics thought. This article elaborates 24 dimensions which are the 24 characteristics musical instrument art, puts emphasis on that the boundary of music is harmony, the character of musical instrument art is pure and the image of musical instrument art is elegant. |
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| Keywords: | Qin art music Chinese music esthetics |
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