| 论戴厚英小说的叙事视角 |
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| 引用本文： | 林珊.论戴厚英小说的叙事视角[J].莆田高等专科学校学报,2012(1):73-77. |
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| 作者姓名： | 林珊 |
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| 作者单位： | 福建广播电视大学文法系,福建福州350003 |
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| 基金项目： | 2011年福建省教育厅社会科学研究项目（JBS10297） |
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| 摘 要： | 根据热拉尔·热奈特有关小说的叙事视角的三种基本类型理论，研究戴厚英小说的叙事视角，认为戴厚英小说的叙事视角主要有零聚焦型和内聚焦型，且经历了从单一叙事视角到多元叙事视角的转化，这正好与新时期小说叙事视角的转化相契合，其创作对新时期小说写作技巧的丰富与变化具有一定的影响。
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| 关 键 词： | 戴厚英 小说 叙事视角 写作技巧 |
Review on the Narrative Angle in Dai Houying＇s Novels |
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| LIN Shan.Review on the Narrative Angle in Dai Houying＇s Novels[J].Journal of Putian College,2012(1):73-77. |
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| Authors: | LIN Shan |
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| Institution: | LIN Shan (Department of Literature and Law, The Open University of Fujian, Fuzhou Fujian 350003, China ) |
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| Abstract: | According to the the narrative theory of Grrard Genette. There are three types of narrative angle： zero focusing, inner focusing and outer focusing. Based on this throry, this article studies DAI Hou-ying＇s novels and her narrative angle in order to study her angle and change to the world. We find in her novels there are mainly zero focusing and inner focusing and they experience from single narrative to various narrative, which fits to the exchange of narrative angle of the new period. Her novels influence the writing skill of that period. |
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| Keywords: | DAI Houying novels narrative angle writing skill |
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