| 丑怪惊人能妩媚,断魂只有晓寒知--浅谈"怪诞"这一艺术表现方式的美学意义 |
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| 引用本文： | 饶峻姝.丑怪惊人能妩媚,断魂只有晓寒知--浅谈"怪诞"这一艺术表现方式的美学意义[J].大理学院学报,2003,2(4):62-67. |
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| 作者姓名： | 饶峻姝 |
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| 作者单位： | 大理学院中文系,云南大理 671000 |
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| 摘 要： | 本文试图指出的是怪诞是一种具体的艺术表现方式,长期运用于人们的艺术创作中。进入二十世纪更多的和荒诞派艺术联系在一起,成为荒诞派戏剧、绘画、雕塑等的主要艺术表现方式而和“怪诞”并生并存。其实“荒诞”才是审美范畴,而“怪诞”作为一种艺术表现方式,因为和美、和艺术紧密联系而具有了特定的审美意蕴却没有形成独立的审美范畴。
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| 关 键 词： | 怪诞 审美范畴 荒诞 荒诞感 荒诞派戏剧 |
| 文章编号： | 1672-2345(2003)04-0062-06 |
| 修稿时间： | 2003年2月25日 |
On the Aesthetical Implication of " Grotesquerie" |
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| RAO Jun - shu.On the Aesthetical Implication of " Grotesquerie"[J].Journal of Dali University,2003,2(4):62-67. |
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| Authors: | RAO Jun - shu |
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| Abstract: | Crotesquerie" is a specific artistic expression form, which has long been used in the people' s art creation. Since the 20th century, it has been closely linked with the grotesquerie school of arts, existing in the "fantastic" plays, paintings, sculpture, etc. In fact, "fantasy" belongs to the field of aesthetics. However, as a form of artistic expression, "grotesquerie", though closely related to beauty and art with specific aesthetic impli-cation , is not independent from the field of aesthetics. |
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| Keywords: | grotesquerie aesthetics fantasy fantastic sense fantastic plays |
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