| 关于刘勰《神思》的创作构思论探讨 |
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| 引用本文： | 潘平安.关于刘勰《神思》的创作构思论探讨[J].萍乡高等专科学校学报,2006(5):87-90. |
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| 作者姓名： | 潘平安 |
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| 作者单位： | 鄂州大学,湖北,鄂州,436000 |
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| 摘 要： | 《神思》是创作论的第一篇,专门论述创作思维与艺术思维活动的名篇。“神思”是指写作中以语言活动为主导的思维方式,即所谓“言为枢机”的语言心理观念。文章从《神思》的艺术思维、艺术的层面内涵、创作阶段过程三个方面进行剖析。
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| 关 键 词： | 艺术思维 层面内涵 创作过程 |
| 文章编号： | 1007-9149（2006）05-0087-04 |
| 收稿时间： | 2006-05-12 |
| 修稿时间： | 2006年5月12日 |
The study on the creative conception of Liuxie's The absolute being thinking |
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| Pan Ping'an.The study on the creative conception of Liuxie''''s The absolute being thinking[J].Journal of Pingxiang College,2006(5):87-90. |
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| Authors: | Pan Ping'an |
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| Abstract: | The absolute being thinking is the first article of the creation which is renowned for its creative thinking and artistic thinking. The absolute being thinking is a way of thinking namely so-called psychology idea of language based on the language that takes the language as the leadership in the course of writing. This paper analyses The absolute being thinking from three aspects that are the artistic thinking, the artistic context and the creative stage. |
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| Keywords: | Art thinking level and content creative process |
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