从“戏台”到“站台”——读取中国第五代、第六代电影叙事差异的视点之一

对第五代和第六代导演进行代际划分不仅是自然时间差异的结果,而且是不同风格的指代,在叙事位格、叙事视角、叙事空间和价值向度上都卓有体现.第五代所持有的历史反思在"戏台"式的展示空间中构架起表演性的叙述价值,而第六代则转向"站台"所代表的现实生活,聚焦于对个体精神的表现.

From the "Stage" to the "Platform"--The Different Perspectives of Film Narrative between the Fifth and Sixth Generations

Dividing the Chinese film directors by generation is not only the result of the difference in natural time, but also the indication of the difference in style. All these differences could be seen from the narrative view, the narrative space and the value-direction. The historical reflection of the Fifth Generation constructs the narrative value in the stage-like space for performance, but the Sixth Generation focuses on the individual spirit in the platform-like space, which is the representation of the real life.