| 《舞论》关于如何塑造人物形象的理论 |
| |
| 引用本文： | 冯冬.《舞论》关于如何塑造人物形象的理论[J].中州大学学报,2014(5):50-56. |
| |
| 作者姓名： | 冯冬 |
| |
| 作者单位： | 安徽省艺术研究院,合肥,230001 |
| |
| 摘 要： | 戏剧是通过对人物形象的塑造来反映社会问题以及体现创作者的主体精神的,人物形象塑造在戏剧创作中始终处于核心地位。婆罗多在《舞论》中用三章的内容来论述角色,又详细阐释了与人物塑造一脉相承的梵剧之情节的运用,足见其对塑造人物形象的重视。
|
| 关 键 词： | 《舞论》 人物塑造 情节 |
The Theory of How to Shape Characters in Natyasastra |
| |
| FENG Dong.The Theory of How to Shape Characters in Natyasastra[J].Journal of Zhongzhou University,2014(5):50-56. |
| |
| Authors: | FENG Dong |
| |
| Institution: | FENG Dong;Anhui Academy of Arts; |
| |
| Abstract: | Drama is based on character-shaping to reflect social problems and embody its creator＇s spirit.Character-shaping has always been at the core of drama creation. Bharata expounds characters with three chapters in Natyasastra and explains in detail the use of the plot in Sanskrit drama which is closely linked with the shaping of characters. All above shows his great attention in shaping the characters. |
| |
| Keywords: | Natyasastra shaping characters plot |
| 本文献已被 CNKI 维普 等数据库收录！ |
