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紫禁城建筑的文化内涵--阴阳五行学说
引用本文:洪华.紫禁城建筑的文化内涵--阴阳五行学说[J].北京联合大学学报(自然科学版),2001,15(1):74-77.
作者姓名:洪华
作者单位:北京联合大学,旅游学院,北京,100101
摘    要:阴阳五行学说是中国传统文化的重要组成部分,在紫禁城的建筑中,这一学说得到了充分的体现,紫禁城气势雄伟的外朝,蕴含阳刚之气魄,严谨纤巧的内廷,体现了阴柔之精美,阴阳学产中“从阴中求阳,从阳中求阴”的哲理也在宫殿名称和布局中表现得颇为明显,紫禁城的建筑还以布局,数目,色彩的变化,暗含了五行学说关于物质相生相克的关系,体现了天子至尊,国泰民安等思想以及趋吉避凶的象征意义。

关 键 词:紫禁城  建筑  文化内涵  阴阳五行学说  宫殿名称  宫殿布局  象征意义
文章编号:1005-0310(2001)01-0074-04
修稿时间:2000年11月11日

Connotations in the Architectural Culture of the Forbidden City Yin and Yang
HONG Hua.Connotations in the Architectural Culture of the Forbidden City Yin and Yang[J].Journal of Beijing Union University,2001,15(1):74-77.
Authors:HONG Hua
Abstract:Yin and Yang is an indispensable part of the Chinese traditional culture, which has been comprehensively materialized in the architecture of the Forbidden City.The Forbidden City boasts magnificent out court, revealing the masculinity of the Chinese nation, while the refined inner court features the elegance of the effeminateness. In the theory of Yin and Yang, the philosophy of the opposite but complimentary forces or tendencies inherent in all things is also explicitly expressed through the names of different palaces and their architectural arrangements. Featuring diversified classifications of architectural arrangements, numbers and colors, the Forbidden City intimates that all the earthly things are coexisting with each other, which adopts the acknowledegement of the superiority of the emperor, the ideology of being nationwide stable, as well as the propitiousness pursuing tendency.
Keywords:the Forbidden City(the Palace Museum)  architecture  culture  connotation  
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