| 试论中国古代书法的形神理论 |
| |
| 引用本文： | 马汉钦.试论中国古代书法的形神理论[J].曲靖师范学院学报,2007,26(4):32-35. |
| |
| 作者姓名： | 马汉钦 |
| |
| 作者单位： | 南华大学,文法学院,湖南,衡阳,421001 |
| |
| 摘 要： | 在中国古代书论家那里,书法之"神"不是单一的书法作者的主体之"神"或者书法本身的客体之"神",而是二者的有机融汇后所产生的艺境。我国古代的书论家们论书法,有一个从注重"形似"到注重"神似"的过程;由此我们可以看到,老庄的形神理论在我国书法艺术领域里的重要学术地位。
|
| 关 键 词： | 书法艺术 形神理论 "形似" "神似" |
| 文章编号： | 1009-8879（2007）04-0032-04 |
| 修稿时间： | 2007-03-16 |
Be on the theory of China ancient appearance - spirit of penmanship |
| |
| Ma Hanqin.Be on the theory of China ancient appearance - spirit of penmanship[J].Journal of Qujing Normal College,2007,26(4):32-35. |
| |
| Authors: | Ma Hanqin |
| |
| Institution: | Literature and lawCollege, Nanhua University ,Hengyang,Hunan, 421000, China |
| |
| Abstract: | Our ancient penmanship expert thought that the spirit of penmanship isn't subject sprite of penmanship auther or penmanship's object sprite,it's the art mood of their mixxing.Our ancient penmanship expert thought highly of Similarity in appearance at the beginning,and gradually thought highly of Similarity in spirit;therefore we can see the systematic learning position of Lao-Zhuang's appearance-sprite theory in the penmanship art. |
| |
| Keywords: | Appearance-spirit theory of penmanship Similarity in appearance Similarity in spirit |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
