| 西方实体主义哲学与中国书法美学意象研究 |
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| 引用本文： | 谢建军.西方实体主义哲学与中国书法美学意象研究[J].曲靖师范学院学报,2010,29(1):48-52. |
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| 作者姓名： | 谢建军 |
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| 作者单位： | 曲靖师范学院,人文学院,云南,曲靖,655011 |
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| 基金项目： | 云南省哲学社会科学规划课题阶段性研究成果 |
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| 摘 要： | 西方实体主义哲学以“是什么”作为实体思维的核心，并把一切存在都设定为实体来研究，以探讨其本质。这一思维方式构成了书法实体美学意象之“力”意象的哲学基础，并影响到整个书法形式美学意象的研究，使“书法的美学内容或美学意蕴就是书法的形式构成本身”这一命题得以可能。
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| 关 键 词： | 实体主义 思维方式 书法美学意象 |
Study of Western Substantialism and Aesthetic Imagery of Calligraphy |
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| Xie Jianjun.Study of Western Substantialism and Aesthetic Imagery of Calligraphy[J].Journal of Qujing Normal College,2010,29(1):48-52. |
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| Authors: | Xie Jianjun |
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| Institution: | Xie+Jianjun(School+of+Humanities,Qujing+Normal+University,Qujing+Yunnan+655011,China) |
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| Abstract: | The western substantialism takes what is it as the core of object thinking and assumes all the existences as object to discuss the nature behind.This way of thinking is the philosophical foundation of the force imagery of the aesthetic imagery of calligraphy,which affects the study of the entire aesthetic imagery of calligraphy and makes possible the proposition that the aesthetic content or aesthetic implication is the formal composition of calligraphy itself. |
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| Keywords: | substantialism way of thinking aesthetic imagery of calligraphy |
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