东莞的读法和写法——从冉正万的《进城》说起

在文学意义上,东莞是可读可写的,但并非任何读写都能＂说出＂她自己,她向某些读写敞开,也向某些读写关闭,她一直在努力＂说出＂她自己,但不是作为话语的目的,而是作为话语的＂出口＂和＂管道＂。无论冉正万的长篇小说《进城》成功与否,它都向我们昭示着：东莞的读法和写法并不是一个不言自明的问题,而且,这个问题对许多城市都同样有意义。

The Reading and Writing Methods of Dongguan——Based on Ran Zhengwan＇s Novel Into the City

In the literary sense,Dongguan city is readable and writable.But not all reading and writing can ＂tell＂ the truth of itself,which are open to some sorts of reading and writing and close to the others.She has been trying to ＂tell＂ others about itself,but not as the target but as the ＂outlet＂ and ＂pipeline＂ of the literary discourse.Whether Ran Zhengwan＇s long novel Into the City is successful or not,it indicates that the reading and writing methods of Dongguan are not self-evident,which is equally meaningful for many cities.