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全息学时代下数字化艺术设计的人机交互性取向
引用本文:艾小群,冯守哲,吴振东.全息学时代下数字化艺术设计的人机交互性取向[J].辽宁大学学报(自然科学版),2012,39(1):69-72.
作者姓名:艾小群  冯守哲  吴振东
作者单位:1. 国立华侨大学,福建厦门,361021
2. 汉口学院,湖北武汉,430000
摘    要:通过对人机交互演化过程的回顾,对当前信息技术外部动力下意识形态的转变进行分析.阐述人机交互内部的属性特征,探讨信息技术的体验模式、数据有效的认知方式及人机交互界面这三个交互性的构成元素.于此同时,面对数字化技术的发展需求,交互性取向已经开始走向系统的整合设计模式.

关 键 词:人机交互  数字化  内核特征  构成元素

Human-Computer Interaction Orientation of the Digitalizied Art Design in the Era of Holography
AI Xiao-qun , FENG Shou-zhe , WU Zhen-dong.Human-Computer Interaction Orientation of the Digitalizied Art Design in the Era of Holography[J].Journal of Liaoning University(Natural Sciences Edition),2012,39(1):69-72.
Authors:AI Xiao-qun  FENG Shou-zhe  WU Zhen-dong
Institution:1(1.National Overseas Chinese University,Xiamen 361021;2.Hankou College,Wuhan 430000)
Abstract:This article analyzes the ideological transformation by the external force of the current information technology througth the reriew of the evolutionary process of the human-computer interaction.It also decribes the internal attributive tharacteristics of the human-cmputer interaction and discusses the three interactions of the constituent elements viz.The experience mode of IT,the effective data cognition style and the human-computer interaction interface.At the same time,in front of the digital technlogy development requirements,the interaction orientation has been progressed to the system integration design pattern.
Keywords:human-computer interaction  digitalize  core characteristic  constituent element
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