| 论王国维的“境界”说 |
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| 引用本文： | 张海燕.论王国维的“境界”说[J].上饶师范学院学报,2004,24(1):69-72. |
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| 作者姓名： | 张海燕 |
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| 作者单位： | 广西师范大学,广西,桂林,541004 |
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| 摘 要： | “境界”说是王国维艺术理论和美学思想的核心，与传统的“意境”理论相比，王国维更重视诗歌客观、真实、自然方面的特征。王国维还提出了关于“境界”说的几对范畴，从微观角度展示了“境界”说深刻而丰富的意蕴。
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| 关 键 词： | 王国维 “境界”说 诗歌 有我之境 无我之境 文艺美学 |
| 文章编号： | 1004-2237(2004)01-0069-04 |
| 修稿时间： | 2003年5月26日 |
On Wang Guo-wei's Theory of "Reached Field" |
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| ZHANG Hai-yan.On Wang Guo-wei''''s Theory of "Reached Field"[J].Journal of Shangrao Normal College,2004,24(1):69-72. |
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| Authors: | ZHANG Hai-yan |
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| Abstract: | The theory of "reached field" is the kernel of Wang Guo-wei's artistic theory and aesthetic thought. Comparing to traditional theory of "artistic concept", Wang Guo-wei attaches more importance to verse's objective, real and natural features. He also puts forward some conceptions about the theory of "reached field" ,which exposes profound and complicated implication of "reached field" from microscopic perspective. |
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| Keywords: | reached field artistic conception the field of me the field out of me man-made field written field |
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