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弋阳腔的历史足迹和现代启示
引用本文:李祥林.弋阳腔的历史足迹和现代启示[J].上饶师范学院学报,2005,25(1):110-113.
作者姓名:李祥林
作者单位:四川省川剧艺术研究院,四川,成都,610041
摘    要:戏曲成熟于宋元时期,以“高腔”名世的弋阳腔作为宋元南戏流传到江西的产物,同余姚腔、海盐腔和昆山腔并列南曲四大声腔,数百年来对中华戏曲有深入骨髓的影响。步入新世纪,当戏曲艺术在时代潮流推动下再次面临巨大转型之时,回顾弋阳腔的流变历程,审视弋阳腔的审美特质,对于我们正确把握中华戏曲的当下生存和未来走向具有重要意义。

关 键 词:弋阳腔  戏曲艺术  南曲  南戏  审美特质  宋元  高腔  昆山腔  声腔  流传
文章编号:1004-2237(2005)01-0110-04
修稿时间:2004年11月22

The Historical Track of Yiyang Tune and Its Modern Enlightenment
Li Xiang-lin.The Historical Track of Yiyang Tune and Its Modern Enlightenment[J].Journal of Shangrao Normal College,2005,25(1):110-113.
Authors:Li Xiang-lin
Abstract:Traditional operas became mature in Song and Yuan Dynasties. Yiyang tune,which is famous for its "high pitch", handed down from the southern opera of Song and Yuan Dynasties to Jiangxi province, is juxtaposed as the Four Great Tunes of southern operas with Yuyao tune, Haiyan tune and Kunshan tune and has had profound influence on Chinese traditional operas. When we come into the new century, and when the art of traditional operas are pushed forward by the epoch trend and confronted with great changes again, it's significant to review the history of Yiyang tune and examine the aesthetic nature of it, so as to manage the present existence of Chinese traditional opera and future trend.
Keywords:Yiyang tune  the history of traditional opera  national folk culture  
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