| 略谈中国绘画的抽象性形态 |
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| 引用本文： | 徐振捷.略谈中国绘画的抽象性形态[J].平顶山学院学报,2004,19(3):45-46. |
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| 作者姓名： | 徐振捷 |
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| 作者单位： | 平顶山教育学院,河南,平顶山,467000 |
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| 摘 要： | 抽象性形态是绘画艺术体系中的重要支柱。它具体可概括为"笔墨情趣"和"离形得似"2个方面。笔墨情趣即借助线、墨、色等手段,表现出画面内蕴中的"气"与"韵",造成奇异的艺术效果;离形得似指画面与神似的关系,它是对现实生活的高度概括和集中,并突破时空界限,巧妙利用虚实相生的关系,领略出画面之外的"神"与"质",给人以美妙的艺术境界和无限的想象空间。
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| 关 键 词： | 抽象形态 以形写神 笔墨情趣 离形得似 以笔取气 以墨取韵 虚实相生 |
| 文章编号： | 1008-5211(2004)03-0045-02 |
| 修稿时间： | 2004年3月5日 |
On Abstract form of Chinese painting |
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| XU Zhen-jie.On Abstract form of Chinese painting[J].Journal of Pingdingshan University,2004,19(3):45-46. |
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| Authors: | XU Zhen-jie |
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| Abstract: | Abstract form is an important pillar of painting art system.It can be generalized as the sentiment of brush and ink and obtaining soul through shape.The sentiment of brush and ink shows amazing art effect that is made by"air" and "taste" hidden in the picture.Obtaining soul through shape refers to the relationship between picture and exellent likeness.It highly generalizes and concentrates the real life and breaks the border of time and space.It utilizes smartly the mutual existence of virtual and fact to get"soul" and "quality" beyond painting and to give people a fascinating art world and infinite imagination space. |
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| Keywords: | abstract shape describing soul through shape sentiment of brush and ink obtaining soul throuth shape getting air from brush getting taste from ink mutual existance of virtual and fact |
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