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“仿像”透视下的西方文学——对西方文学史的一种解读
引用本文:荣禾香.“仿像”透视下的西方文学——对西方文学史的一种解读[J].新余高专学报,2009,14(1):64-66.
作者姓名:荣禾香
作者单位:首都师范大学,文学院,北京,100037
摘    要:“仿像”是法国后现代理论家让·鲍德里亚思想中的关键术语,“仿像”有三个等级,即模仿、生产、符号。通过对“仿像”几个等级的分析,展现了在不同的“仿像”阶段,文学理论以及文学作品本身所呈现的作品意义的生成,即探讨“文本-世界”之间的关系。通过对文学作品与世界关系的探讨,观赏鲍德里亚“仿像”透视下的西方文学,从而得到西方文学发展进程的另一条线索。

关 键 词:鲍德里亚  仿像  模仿  生产  符号

Western literature from the perspective of simulacra——Reading of western literary history
RONG He-xiang.Western literature from the perspective of simulacra——Reading of western literary history[J].Journal of XinYu College,2009,14(1):64-66.
Authors:RONG He-xiang
Institution:RONG He - xiang (Capital Normal University, Beijing 100037 China)
Abstract:Simulacrum is the key term used by Jean Baudrillard, a French postmodern theorist. Simulacrum has three grades, that is, simulation, production and sign. The analysis of simulacrum grade shows the different stages of simulacrum, the literary theory and the generation of meanings of literary works, that is, the relation between text and the world. By exploring the relation between literary works and the world and appreciating the western literature from the perspective of Baudrillard's simulacrum, we can find another clue of the development of western literature.
Keywords:Baudrillard  simulacrum  simulation  production  sign
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