| 《金瓶梅》妻妾群像典型与否定主义美学 |
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| 引用本文： | 肖峰旭.《金瓶梅》妻妾群像典型与否定主义美学[J].长春大学学报,2010,20(3):58-60. |
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| 作者姓名： | 肖峰旭 |
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| 作者单位： | 北京师范大学文学院; |
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| 摘 要： | 《金瓶梅》妻妾群像中的三个典型人物吴月娘、潘金莲、李瓶儿游走在否定主义美学的框架之内,体现出一种审丑的美学视角,三个人物的贪、嗔、痴所昭示出的丑怪的写实主义以及价值观层面的放纵狂欢,具有强大的嘲讽力量,营造出小说自身特有的＂道德秩序＂。
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| 关 键 词： | 《金瓶梅》 妻妾群像 否定主义美学 贪嗔痴 |
The typical characters of wives in The Golden Lotus and negativism aesthetics |
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| XIAO Feng-xu.The typical characters of wives in The Golden Lotus and negativism aesthetics[J].Journal of Changchun University,2010,20(3):58-60. |
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| Authors: | XIAO Feng-xu |
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| Institution: | School of Chinese Language and Literature;Beijing Normal University;Beijing 100875;China |
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| Abstract: | The three typical characters,Wu Yue-niang,Pan Jin-lian and Li Ping-er in The Golden Lotus wander in the frame of negativism aesthetics,which reflects an aesthetic perspective of ugliness.The ugly and odd realism shown by their greediness,hatred and ignorance and the indulgence of value have strong irony and form the unique moral order. |
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| Keywords: | The Golden Lotus wives negativism aesthetics greediness hatred and ignorance |
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