| 从吉祥装饰透视中国传统审美内蕴 |
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| 引用本文： | 郑冬冬. 从吉祥装饰透视中国传统审美内蕴[J]. 平顶山学院学报, 2007, 22(1): 71-73 |
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| 作者姓名： | 郑冬冬 |
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| 作者单位： | 平顶山学院,河南,平顶山,467002 |
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| 摘 要： | 中国传统装饰均反映出至善至美的本质,“祥”、“美”同源的审美意识始于原始时期,“纹化”在意象丰富的纹样、装饰之中。吉祥装饰背后蕴藏了国人追求幸福生活的热望,反映着中国传统审美文化的主流特征。
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| 关 键 词： | 吉祥装饰 " 美" " 祥大为美" " 立象以尽意" " 善" |
| 文章编号： | 1673-1670（2007）01-0071-03 |
| 收稿时间： | 2006-12-25 |
| 修稿时间： | 2006-12-25 |
The Analysis of the Essence of Chinese Traditional Aesthetic Perception through Propitious Decoration |
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| ZHENG Dong-dong. The Analysis of the Essence of Chinese Traditional Aesthetic Perception through Propitious Decoration[J]. Journal of Pingdingshan University, 2007, 22(1): 71-73 |
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| Authors: | ZHENG Dong-dong |
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| Abstract: | All kinds of Chinese traditional decorations reflect top kindness and top beauty.From the primitive times,the aesthetic consciousness that propitiousness and beauty shared by the origin was embodied in many veining and decorative patterns.Through propitious decorations the Chinese people express their expectation of pursuing a happy life.In the meantime,the propitious decoration suggests the main feature of the Chinese traditional culture of aesthetics. |
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| Keywords: | propitious decoration beauty propitiousness to be garded as beauty artistic images!created to convey theirmeanings kindness |
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