| 谈电影《大象》的后现代影像特征 |
| |
| 引用本文： | 史宗历. 谈电影《大象》的后现代影像特征[J]. 重庆三峡学院学报, 2009, 25(4): 125-127 |
| |
| 作者姓名： | 史宗历 |
| |
| 作者单位： | 重庆三峡学院文学与新闻学院,重庆万州,404000 |
| |
| 摘 要： | 当代美国独立电影以其不同于主流好莱坞模式的风格,在国际电影节屡获大奖,其艺术水准达到相当的高度。《大象》在2003年的戛纳国际电影节上荣获了最佳电影和最佳导演两项大奖,取得巨大成功。本文通过对影片影像特征的剖析,寻找其获得成功的后现代叙事风格及特点。
|
| 关 键 词： | 《大象》 后现代 影像特征 |
Characteristics of the Movie Elephant |
| |
| SHI Zong-li. Characteristics of the Movie Elephant[J]. JOurnal of Chongqing Three Gorges University, 2009, 25(4): 125-127 |
| |
| Authors: | SHI Zong-li |
| |
| Affiliation: | School of Literature and Journalism;Chongqing Three Gorges University;Wanzhou 404000;Chongqing |
| |
| Abstract: | The contemporary U.S.independent movies win the big prize repeatedly by their style which is different from the mainstream of the Hollywood pattern.Their artistic standard has already reached quite high altitude.The Elephant similarly obtains the roaring success by its unique post-modern style of narration.This paper tries to find post-modern style of narration and characteristics which this movie relies on to obtain success. |
| |
| Keywords: | Elephant post-modern imaging characteristics independent movies |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
