| 《离骚》多元化的艺术风格及其成因 |
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| 引用本文： | 刘超. 《离骚》多元化的艺术风格及其成因[J]. 达县师范高等专科学校学报, 2007, 17(6): 41-44 |
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| 作者姓名： | 刘超 |
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| 作者单位： | 苏州大学文学院 江苏苏州215123 |
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| 摘 要： | 《离骚》作为屈原辞当之无愧的代表,不仅处处流露出屈原厚重而又令人景仰的生命体验,而且也鲜明打上了战国时代思想文化层层嬗变、层层演进的深深烙印.巫卜文化、史官文化、士人文化三种在发生学上界限严格的文化形态,都可以在《离骚》中找到相应的影响.个性化的生命体验和纷纭错杂的时代文化特征,加之楚民族特有的审美倾向,共同造就了《离骚》艺术风格多元化的综合气象.
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| 关 键 词： | 屈原 《离骚》 艺术风格 |
| 文章编号： | 1008-4886（2007）06-0041-04 |
| 修稿时间： | 2007-08-19 |
Diversified Artistic Style of "Li Sao" and Its Cause |
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| LIU Chao. Diversified Artistic Style of "Li Sao" and Its Cause[J]. Journal of Daxian Teachers College, 2007, 17(6): 41-44 |
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| Authors: | LIU Chao |
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| Affiliation: | College of Literature, Suzhou University, Suzhou Jiangsu 215123, China |
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| Abstract: | As the magnum opus of Qu Yuan's works," Li Sao" shows not only his rich and admiring experience about life,but also the vivid trace of developed thought on the war time.Though witch culture,historiographer culture and scholars' culture have strict limits on the forms of culture from phylogeny,they can be reflected in "Li Sao".In a word,personalized life experience and diverse mixed cultural characteristics of the times,in addition to the Chu people's special aesthetic tendencies,create diversified artistic styles and comprehensive phenomenon in "Li Sao". |
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| Keywords: | Qu Yuan," Li Sao" ,artistic style, |
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