| 西藏传统杂技艺术的活化石“恰勘踏旭”之考证 |
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| 引用本文： | 阿旺晋美.西藏传统杂技艺术的活化石“恰勘踏旭”之考证[J].西藏大学学报,2014(3):116-125. |
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| 作者姓名： | 阿旺晋美 |
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| 作者单位： | 西藏大学艺术学院,西藏拉萨850000 |
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| 基金项目： | 2012年度教育部人文社会科学重点研究基地重大项目“西藏传统杂技艺术研究”（项目号：12JJD780001）,2013年度国家社会科学基金重大项目“西藏非物质文化遗产的整理、传承研究与数字化保护”（项目号：13＆ZDA141）阶段性成果. |
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| 摘 要： | 文章通过对被誉为西藏传统杂技艺术的活化石“恰勘踏旭”表演艺术形式的形成发展历史、表演形式与特色、人文与审美特性等方面进行考证与分析，认为藏族民间艺人们把一种一般意义上的杂技艺术形式升华为集技艺、体育、娱乐为一体的独特民族文化艺术形式，变生硬为灵活、变单调为多变、变简单技艺为具有内涵和哲理化，使其具有观赏价值、审美价值，达到了寓教于乐的效果。
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| 关 键 词： | 西藏杂技 恰勘踏旭 考证 |
Chakhan Tasho,a Living Fossil of Traditional Tibetan Acrobatic Art |
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| Institution: | Ngawang Jigme (College of Fine Arts, Tibet University, Lhasa, Tibet 850000) |
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| Abstract: | Chakhan Tasho is known as a living fossil of traditional Tibetan acrobatic art. This article contains the textual research and analysis of the acrobatic art from the aspects of its history, performances and characteristics as well as its cultural and aesthetic features. It is found that the Tibetan folk artists who have developed the acrobatic art to an unique from a clumsy one to a and philosophical one. national cultural art which is a blend of artistry, sports and entertainment. It has changed flexible one, from a monotone one to a multiformed one, from a simple one to a meaningful Now it has higher ornamental and aesthetic value. |
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| Keywords: | acrobatics Tibet Chakhan Tasho textual research |
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