略论书法与现代派绘画的审美差异

现代派书家为了打破以文字识读和书写为根本的习惯性思维,对西方现代派绘画进行了生硬的嫁接。但从书画创作审美体验中的“心物”之轴来分析,书法与传统的中国诗、画相比,虽有其独特性质,仍然是点画结构与主体意的融合,即意与象、心与物的统一。而现代派绘画从再现跨越到表现,只注重意与心的一端,强调心与物的对立。这可从现代派绘画与书法发展的实践以及相互借鉴中得到验证。

Differences in Aesthetic Judgment between Calligraphy and Modernistic Painting

Modernistic Painters have made unsmooth graft on modern Western painting in order to break the traditional way of thought based on words and calligraphy. Judged from axis of the aesthetic experience in production of calligraphy and painting, calligraphy, however, is still the combination of dotting and drawing structure with the calligrapher' s inner feelings, namely, the one between mentality and image or the one between subject and object, compared with the Chinese traditional poetry or paintings. The trans -formation of modern Western paintings from re-manifestation to production just lays some attention on one end of mentality and image and also stresses the opposition between them, which can be found in the practical development and the mutual reference of modernistic painting and calligraphy.