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从《诗学》理论解读元杂剧“发现”与“突转”之叙事艺术
引用本文:胡健生. 从《诗学》理论解读元杂剧“发现”与“突转”之叙事艺术[J]. 江西科技师范学院学报, 2008, 0(3): 77-81
作者姓名:胡健生
作者单位:曲阜师范大学文学院,山东 曲阜 273165;中山大学中文系,广东,广州,510650
摘    要:“发现”与“突转”乃源自西方戏剧美学理论范畴的两个重要概念术语,本文拟以亚里士多德《诗学》的相关理论为参照,以元杂剧为具体考察对象,就元杂剧中“发现”与“突转”之叙事艺术予以粗略探究。

关 键 词:《诗学》  元杂剧  “发现”  “突转”  叙事艺术

Interpretation of the Narrative Art of"Discovery"and"sudden-shift"in Yuan Opera According to the Theory of Aristotle's Poetics
Hu Jiansheng. Interpretation of the Narrative Art of"Discovery"and"sudden-shift"in Yuan Opera According to the Theory of Aristotle's Poetics[J]. Journal of Jiangxi Science & Technology Normal University, 2008, 0(3): 77-81
Authors:Hu Jiansheng
Affiliation:Hu Jiansheng (Qufu Normal University, Shandong 273165, P.R. China)
Abstract:The "Discovery"and the"sudden-shift"are two important conceptual terms derived from Western drama aesthetic theory. The paper takes Aristode's theory of "poetry'as a reference and studies the Yuan Opera. It makes a research on the narrative art of the "discovery" and"sudden-shift"in the opera.
Keywords:"Poetry"  Yuan Dynasty  "discovery"  "sudden-shift"  narrative art
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