| 宋元之际民族融合下的文学转型 |
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| 引用本文： | 林红,沈玲.宋元之际民族融合下的文学转型[J].长春大学学报,2003,13(6):76-78. |
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| 作者姓名： | 林红 沈玲 |
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| 作者单位： | [1]长春大学人文社会科学学院，吉林长春1300221 [2]长春大学学报编辑部，吉林长春130022 |
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| 摘 要： | 中国是个多民族国家，历史上发生过多次的民族大融合局面。民族融合促进了各民族的交往，改变了历史的进程，也给中国古代文学带来了全新的变化。宋元之际蒙汉民族的融合，给文学注入了新的生机与活力，改变了传统的文学风尚，实现了由传统士人文学向新兴通俗文学的转型。影响了中国文学的后世发展。
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| 关 键 词： | 民族融合 文学转型 宋朝 元朝 中国古代文学 汉文化 蒙古游牧文化 创作主体 文学风尚 文学样式 |
| 文章编号： | 1009-3907(2003)06-0076-03 |
| 修稿时间： | 2003年6月26日 |
Literature transformation under national harmony between the Song Dynasty and the Yuan Dynasty |
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| LIN Hong,SHEN Ling.Literature transformation under national harmony between the Song Dynasty and the Yuan Dynasty[J].Journal of Changchun University,2003,13(6):76-78. |
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| Authors: | LIN Hong SHEN Ling |
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| Abstract: | China is a multinational country. The harmony has happened for many times in history. It has promoted contacts with nations, changed the history progress and also brought the whole new change to the Chinese ancient literature. The national harmony of Meng and Han between the Song Dynasty and the Yuan Dynasty poured the fresh life and vitality into the literature and changed the costom of the traditional literature, realized the transition from the traditional scholar literature to the rising popular literature, which has influenced the later development of the Chinese literature. |
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| Keywords: | nation harmony literature transfonnation |
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