古代戏曲创作主体思维特征论

文学创作是主体的审美体验过程。中国古代剧论家以主体心灵和主体情感审视戏曲艺术真实，强调审美主体内心真情实感的自然流露，相对忽略对历史和现实生活等审美客体的再现，偏重于创作主体内在心志和情感的表现。同时，他们依据戏曲艺术代言体的文体特性，主张剧作家细致体味戏曲人物生活的环境和遭遇的事件，做到因事造形，随物赋象。

On the Creation Subject of Thinking Characteristic of Ancient Opera

The literary is the principal of aesthetic experience of the authorship. Drama theorists of ancient China looked at the opera art true by authorship spirit and emotion. Generally, they neglected the history and the real life and so on esthetic object＇s reappearance, and took seriously to create authorship intrinsic will and the emotion＇s performance. They advocated that the playwright appreciates the environments and the experiences of the characters in the works in accordance with body art opera style features, namely from content collateral at advocate content.