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汉代角抵表演在南阳汉画像石中的艺术表现
引用本文:王明丽.汉代角抵表演在南阳汉画像石中的艺术表现[J].南阳理工学院学报,2010,2(3):52-54.
作者姓名:王明丽
作者单位:南阳市汉画馆,河南,南阳,473000
摘    要:在数量众多的南阳汉画像石中,角抵图像占据了重要位置,可分为人与兽斗、兽与兽斗、人与人相搏三种形式。汉代工匠艺人观察细微,善于选取典型动作和捕捉最精彩瞬间,使稍纵即逝的生动角抵表演完美体现,充分显示了我国古代的能工巧匠不局限于复制自然,而是更倾向于采用形象记忆和默写的方法进行艺术表现。

关 键 词:汉画  角抵表演  艺术表现

THE ARTISTIC EXPRESSION OF JIAO-DI OPERA REFLECTED BY THE HAN DYNASTY STONE RELIEVES
WANG Ming-li.THE ARTISTIC EXPRESSION OF JIAO-DI OPERA REFLECTED BY THE HAN DYNASTY STONE RELIEVES[J].Journal of Nanyang Institute of Technology,2010,2(3):52-54.
Authors:WANG Ming-li
Institution:WANG Ming-li(Nanyang Museum of the Han Dynasty Stone Relief,Henan,Nanyang 473000,China)
Abstract:Among many of the Han Dynasty stone relieves in Nanyang,the images of Jiao-Di wrestling play an important role,which can be classified into three forms:the wrestling between man and beast,the wrestling between beast and beast,and the wrestling between man and man.The craftsmen in the Han Dynasty,with their sharp observation,were good at selecting typical motions and capturing great moments,which had perfectly reflected the transient Jiao-Di Opera,fully revealed that the craftsmen in the ancient times tended to express their artistic ideas by means of visualizing and recreating the images from memory,instead of limiting to the mere copying of nature.
Keywords:Han Dynasty stone relief  Jiao-Di Opera  Artistic expression
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