| 试论音乐人类学与萨班《乐论》 |
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| 引用本文： | 更堆培杰,达瓦.试论音乐人类学与萨班《乐论》[J].西藏大学学报,2013(1):150-154. |
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| 作者姓名： | 更堆培杰 达瓦 |
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| 作者单位： | [1]西藏大学艺术学院 [2]拉萨师范高等专科学校,西藏拉萨850000 |
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| 摘 要： | 音乐人类学研究以人的生物特征和民族文化特征差异而形成的不同音乐文化。藏族在悠久的历史中形成独特的民族音乐文化,以及以萨班《乐论》为标志的音乐理论。文章从音乐人类学的视角,解读萨班《乐论》中有关音乐声音的概念＂俱声乐＂和＂缘起乐＂;音乐的社会行为和音乐家的社会地位;人体发音部位与音调和歌词的关系;人的声音与自然地理环境的关系;人的生理特征和声音的关系等。认为萨班《乐论》中体现的音乐理论与音乐人类学理论存在诸多共通之处。
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| 关 键 词： | 音乐 人类学 萨班 《乐论》 |
On Musical Anthropology and Sakya Pandita＇s Musical Theory |
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| Gendwei Pegye① Dawa.On Musical Anthropology and Sakya Pandita＇s Musical Theory[J].Journal of Tibet University,2013(1):150-154. |
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| Authors: | Gendwei Pegye① Dawa |
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| Institution: | Gendwei Pegye① Dawa②(①School of Fine Arts,Tibet University,②Lhasa Teachers College Lhasa,Tibet 850000) |
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| Abstract: | Musical anthropology is dedicated to different music culture,which is formed on the basis of man＇s biological characteristics and different ethnic culture.Tibetan has their unique ethnic musical culture and musical theories,Sakya Pandita＇s Musical Theory,for instance.The article interprets two specific musical concepts,musical social behavior,the social status of musicians,the relationship between the organ of articulation,the tone and lyrics and the relationship between the voice of man and the natural geographical environment as well as the relationship between man＇s physiological characteristics and voice.It is found that Sakya Pandita＇s Musical Theory and musical anthropology have a lot in common. |
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| Keywords: | music anthropology Sakya Pandit Musical Theory |
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