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| 中国现代诗学作为原诗学之可能性 | |
| 引用本文： | 谢应光. 中国现代诗学作为原诗学之可能性[J]. 重庆三峡学院学报, 2006, 22(1): 41-44 |
| 作者姓名： | 谢应光 |
| 作者单位： | 重庆三峡学院中文系,重庆,万州,404000 |
| 摘 要： | 中国现代诗学是一种原诗学,其原创性主要表现在它因重新组合和语境变迁而产生新质上。中国现代诗学能够成为原诗学至少有四大原因,即现代社会政治、历史发展的需要,中国古代文化的衰落和西方文化的冲击,中国个性化的现代文化和哲学思想的制约,以及现代诗学创造主体的独特个性。 |
| 关 键 词： | 原诗学 组合 语境 原因 |
| 文章编号： | 1009-8135（2006）01-0041-04 |
| 收稿时间： | 2005-10-14 |
| 修稿时间： | 2005-10-14 |
The Possibility of Chinese Modern Poetics Being Original Poetics |
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| Xie Ying-guang. The Possibility of Chinese Modern Poetics Being Original Poetics[J]. JOurnal of Chongqing Three Gorges University, 2006, 22(1): 41-44 | |
| Authors: | Xie Ying-guang |
| Abstract: | Chinese modern poetics is a kind of original poetics,and its originality lies mainly in the new nature produced from recombination and context change.There are at least four reasons that Chinese modern poetics can be original poetics: the need of political and historical development in modern society,the declination of ancient Chinese culture and the shock of western culture,the restriction of individualized Chinese modern culture and philosophical thought,and the unique personality of the creator of modern poetics. |
| Keywords: | original poetics combination context reason |
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