爱有尽时:《伤逝》悲剧新解

不少论者认为：造成《伤逝》的爱情翡剧的原因在于渭生和子君这样的小资产阶段知识分子没有把个人的解决和全社会的解放联系起来，妇女没有取得根本的经济权，其实这仅仅是问题的一个方面，鲁迅写这篇议题喧有强烈的个人感情色彩，他更多地侧重于表现受过“五四”洗礼，，接受过西方现代文化的小资产阶段的青年知识分子在爱情婚姻方面的尚没有挣脱传统的限制，又受到崇尚个人主义，个性解放的西方文化的制约，这双重的困境投射在一对青年男女的爱情用家庭上，造成了双方在思想，文化及各自独特的性爱心理之间的巨大差距和鸿沟，而正是这一点从根本上引发了他们的爱情悲剧和人生悲剧。

THE END OF LOVE: THE NEW INTERPRETATION OF "SAD BECAUSE OF PAST"

Quite a few critics claimed that love tragedy of Juansheng and Zijun was due to the fact that petty bourgeois intellectuals like them failed to associate the liberation of themselves with the one of whole society,and women had not gained their economic independence. However,this is only one aspect of the question. As a matter of fact, Lu Xun wrote the story with a violent personal emotion. He exposed the double perplexity of petty bourgeois intellectuals. On the one hand,they could not get rid of the control of traditional civilization the other, they were restricted by western culture of advocating their admiration of individualism and personalism. This resulted in the wide gap between the young couple in ideology,culture and sexuality,which was the root cause of their love and live tragedy.