| "经典"之后:视觉奇观与后"P2P"时代的电影生态 |
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| 引用本文： | 聂伟."经典"之后:视觉奇观与后"P2P"时代的电影生态[J].杭州师范学院学报(社会科学版),2010,32(4). |
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| 作者姓名： | 聂伟 |
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| 作者单位： | 上海大学,影视学院,上海,200072 |
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| 基金项目： | 上海市曙光人才计划项目，上海市重点学科子项目 |
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| 摘 要： | 新世纪以来,奇观电影的风行,对国内电影产业生态产生了巨大的影响."叙事性"不再成为评判电影视觉奇观及其美学价值的唯一标准.随着P2P技术日臻完善,深刻影响了"后经典"时代的影像传播、受众分层及其观看方式.3D电影在挑战观众视觉生理极限的同时不断进行技术调整,以寻求技术呈现与视听享受的平衡点.由此,技术对电影美学与产业的影响,包括影像制作与媒体传播两方面,电影生态在技术发展进程中不断追求新的动态平衡.
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| 关 键 词： | 电影生态 观看方式 视觉奇观 |
After the Classics: Visual Spectacle and the Film Ecology in the Time of Post-P2P |
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| NIE Wei.After the Classics: Visual Spectacle and the Film Ecology in the Time of Post-P2P[J].Journal of Hangzhou Teachers College(Humanities and Social Sciences),2010,32(4). |
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| Authors: | NIE Wei |
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| Institution: | NIE Wei (School of Film & TV Arts,Shanghai University,Shanghai 200072,China) |
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| Abstract: | The spectacle film is so popular that it brings great impact upon the domestic film industry ecology in the new century. Narrativity is no longer regarded as a unique criterion to judge the visual spectacle and the aesthetical value in the movie. The media transmission, the audience segmentation and the image-viewing modes are inevitably influenced by the development of P2P technology. 3D movies have continuously undergone technological adjustment while challenging the physiological limit of the spectators'... |
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| Keywords: | P2P 3D |
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