| 秦腔戏剧脸谱的构成及其美学意蕴 |
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| 引用本文： | 兰宇,顾朝晖.秦腔戏剧脸谱的构成及其美学意蕴[J].西安工程科技学院学报,2013(5):610-615. |
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| 作者姓名： | 兰宇 顾朝晖 |
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| 作者单位： | [1]西安工程大学人文社会科学学院,陕西西安710048 [2]西安工程大学服装文化研究所,陕西西安710048 [3]西安工程大学服装与艺术设计学院,陕西西安710048 |
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| 基金项目： | 教育部人文社会科学研究规划项目（11YJA760031） |
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| 摘 要： | 以历史考据的方式，将秦腔脸谱与传统面具相联系，分析其起源、形成、发展以及不同类型．以美学、文化学理论和秦腔戏剧发展为参照，得出了秦腔脸谱以色彩隐喻忠奸，以写意表达好恶，以神态刻画精神三大美学表现特征的结论．
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| 关 键 词： | 戏剧脸谱 面具 秦腔 色彩与线条 美学意蕴 |
The constituents of the Shaanxi opera facial makeup and its aesthetic connotation |
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| LAN Yu,GU Zhao-hui.The constituents of the Shaanxi opera facial makeup and its aesthetic connotation[J].Journal of Xi an University of Engineering Science and Technology,2013(5):610-615. |
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| Authors: | LAN Yu GU Zhao-hui |
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| Institution: | 1. School of Humanities and Social Sciences,Xi＇an Polytechnic University,Xi＇an 710048,China; 2. Institute of Costume Culture, Xi＇ an Polytechnic University, Xi＇ an 710048, China 3. School of Fashion and Art Design,Xi＇an Polytechnic Universtiy,Xi＇an 710048,China) |
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| Abstract: | The facial makeup in operas is the content of formulation during the process of drama performance, which means a lot to the drama performance. The facial makeup of Shaanxi opera can be regarded as the costumes of Shaanxi opera the special presentation of facial clothing. Based on the history,connects the facial makeup of Shaanxi opera with the traditional masks, the origins, formation,development and various types of facial makeup of Shaanxi opera are analyzed systematically. According to the theories of aesthetics and culture, it reaches a conclusion, namely three aesthetic features about the facial makeup of Shaanxi opera. They are as follows.the artistic beauty of the facial makeup of Shaanxi opera. The artistic concept of the facial makeup of Shaanxi opera. The vivid performance of the facial makeup of Shaanxi opera, the colore used as a metaphor for logyalty and evil |
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| Keywords: | facial makeup mask Shaanxi opera colors and lines aesthetic implication |
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