| “文情”略论 |
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| 引用本文： | 游来林.“文情”略论[J].贵州师范大学学报(社会科学版),2008(6). |
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| 作者姓名： | 游来林 |
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| 作者单位： | 贵州财经学院,文化传播学院,贵州,贵阳,550004 |
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| 摘 要： | 作文与情感的关系，《诗经》最早涉及。之后，汉代有“情动于中而形于言”的观点，梁代刘勰的《文心雕龙》也有“情者，文之经”、“辞以情发”之说，而唐代柳冕提出的“文生于情”的观点最为著名。这些观点都不同程度地揭示了情感与写作的关系，强调了情感对写作的重要意义。由于文章是写给别人看的，因而文章中的情感与读者也就有了关系。这种关系，前人总结为“情生于文”。但“情生于文”却不易做到，是需要一定写作功底的，若注意“文情贵独”，掌握一些表达情感的技巧，则“凡情之至者，其文未有不至者也。”
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| 关 键 词： | 作文 情感 关系 |
On Composition and Emotion |
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| YOU Lai-lin.On Composition and Emotion[J].Journal of Guizhou Normal University(Social Science Edition),2008(6). |
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| Authors: | YOU Lai-lin |
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| Institution: | YOU Lai-lin(School of Culture , Mass Media,Guizhou College of Finance , Economics,Guiyang 550004,China) |
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| Abstract: | The Book of Songs touches upon the relationship between composition and emotion.Afterwards,there was the view that emotion is motivated from within and embodied in speech in Han Dynasty;Liu Xie in Liang Dynasty,in his The Literary Mind and the Carving of Dragons,proposed that emotion is the longitude of literature and composition the expression of emotion;the most famous view was that literature stems from emotion,proposed by Liu Mian in Tang Dynasty.All these views reveal the relationship between emotion a... |
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| Keywords: | composition emotion relationship |
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