| 《檀香刑》中的三种意识及其文化溯源 |
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| 引用本文： | 张丁莹.《檀香刑》中的三种意识及其文化溯源[J].韶关学院学报,2013,34(5):43-45. |
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| 作者姓名： | 张丁莹 |
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| 作者单位： | 华南师范大学 文学院,广东广州,510006 |
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| 摘 要： | 莫言的《檀香刑》蕴含有三种意识:原始的"由幻赏神"的巫术观念下产生的"人兽同体"、农耕文明孕育下的"人生如戏"、传统文化的"向根"观照。由此体现了莫言"大踏步撤退"的独特之处。
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| 关 键 词： | 《檀香刑》 莫言 文化 原始意识 |
The Original Consciousness of "Penalty Using Sandalwood" |
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| ZHANG Ding-ying.The Original Consciousness of "Penalty Using Sandalwood"[J].Journal of Shaoguan University(Social Science Edition),2013,34(5):43-45. |
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| Authors: | ZHANG Ding-ying |
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| Institution: | ZHANG Ding-ying (South Chinese Normal University, Guangzhou,Guangdong 510006) |
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| Abstract: | There is rich original consciousness in ＂Penalty Using Sandalwood＂ , including the combinations of animals and humans under the original theory of ＂ The Miraculous Function of Imagination＂, the unique phenomenon of ＂Life is like a play＂ from farming civilization, the explosion of dim consciousness in human beings and theroot of traditional cultures, from which display the unique point of ＂ The Retreat in big strikes＂ in the creation of Mo Yan. |
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| Keywords: | Penalty Using Sandalwood no Yan culture original consciousness root |
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